Vidal y el Fillmore

Tengo un amigo que, 

cuando se encuentra adormecido, siempre comenta:

"Mi hermana vino a verme después de 10 años, y me trajo una cuerda larga. Pa' ir tirando dijo, así que, vamos a darle Rock'N Roll" y se planta el "Performance Rockin' The Fillmore" a todo volumen (¡ahora no hay que darle la vuelta ni cambiar el Lp!)

Agradecido a la Vida por Vidal, y a Aldoux (http://aldouxmusicalbox.blogspot.com) por su ripeo,

me dispongo a seguir molestando a los vecinos a esta tan española hora de comer.

¡Buen provecho, buenas tardes y feliz siesta a todos!

Publicity photo - Humble Pie.

Publicity photo of the music group Humble Pie.

De Premier Talent Associates (management)

 eBay itemphoto frontphoto back, Dominio público,

ttps://commons.wikimedia.org/w/index.php?curid=16893262

Humble Pie - 1971 - Performance,  Rockin' The Fillmore

[Japan Mini LP]

Live recording by FEDCO

Re-mixed at Electric Lady Studios, New York City

Release Date November, 1971

Fe de erratas:

SONGWRITING CREDITS. On track A2, back album cover credits "Humble Pie; Words by Willie Dixon" but label credits only Willie Dixon. On track A2 back album cover credits "Humble Pie" but label credits each member individually. On track C, back album album cover correctly credits "Waters" but label erroneously credits Chester Burnett.

Credits

Steve Marriott : guitar, vocals, harmonica

Peter Frampton : guitar, vocals

Greg Ridley : bass, vocals

Jerry Shirley : drums

Live Recording by Fedco Audio Labs

Engineer : Eddie Kramer

Assistant Engineer : David Palmer

Re-mixed at Electric Lady Studios, New York

Engineer : Eddie Kramer

Ably assisted by John Jansen, Andy Edlen, Buzzy and Tom

Produced by The Pie

Youtube, "I Don't Need No Doctor"

Listado de temas:

Lp Side A

 01 - Four Day Creep - 03:46 min. 

Written-By – Ida Cox

 02 - I'm Ready - 08:30 min. 

Lyrics By – Willie Dixon

Written-By – Humble Pie

 03 - Stone Cold Fever -  06:21 min. 

Written-By – Ridley, Shirley, Frampton, Marriott

Lp Side B

 04 - I Walk On Gilded Splinters -  23:27 min. 

Written-By – Dr. John Creaux

Lp Side C

 05 - Rolling Stone - 16:10 min. 

Arranged By – Humble Pie

Written-By – Waters

Lp Side D

 06 - Hallelujah (I Love Her So) - 05:07 min. 

Written-By – Ray Charles

 07 - I Don't Need No Doctor -  09:17 min. 

Written-By – J. Armstead, N. Ashford, V. Simpson

2 Lp's, 1 Cd, 7 Temas - Tiempo Total: 01:12:38 

flac @ 933

Rippeado Por: Aldoux

http://aldouxmusicalbox.blogspot.com

Notas

 Aldoux en http://aldouxmusicalbox.blogspot.com

Problemas al leer el track #7 del CD con Exact Audio Copy me forzaron a hacer el rip con otra herramienta. Utilicé BonkEnc Audio Encoder v1.0.14 en formato Flac, se generó un Cue Sheet para quemar a CD y una lista de reproducción m3u. Si alguno considera que el presente rip no tiene la calidad mínima adecuada le agradezco hacérmelo saber...

Troubles while reading CD track #7 with Exact Audio Copy have forced to rip with an alternative tool. I used BonkEnc Audio Encoder v1.0.14 in Flac format, a Cue Sheet for burning purposes and a m3u list were generated. If anybody thinks that this rip doesn't meet the minimal standards please let me know...

Catalog number appears as SP 3506 on spine,

back cover and side 1 and side 2 labels. Appears as SP-3506 on side 3 and side 4 labels.

November 9, 2013

https://www.allaboutjazz.com/humble-pie-performance-rockin-the-fillmore-by-doug-collette.php

By DOUG COLLETTE

Humble Pie's Performance: Rockin' the Fillmore: The Complete Recordings will only solidify the British quartet's position as the point of convergence for the major strains of British rock of the Sixties and Seventies. The four- disc box set documenting their two night four-show run at the late Bill Graham's historic New York venue confirms The Pie as the nexus of the British beat group movement initiated by The Beatles, the English blues campaign that evolved from that movement and the heavy rock style that predated metal. 

To say these recordings capture Humble Pie in their natural element is an understatement, but nevertheless in keeping with the original concept of a lineup dubbed a supergroup when the four men agreed to bond in late 1968. Guitarist Peter Frampton had achieved some celebrity with a teenybopper group called The Herd, but was anxious to be taken seriously as a musician, so his alliance with vocalist/guitarist Steve Marriott seemed perfectly natural: the latter had tasted his share of success in the pop market with The Small Faces, who subsequently struggled to evolve artistically from their commercial base. Bassist Greg Ridley had much less of a name than that pair, but his musicianship and singing voice had distinguished Spooky Tooth whose hard rock roots grew in a progressive direction, their number including keyboardist Gary Wright, who wrought mega-success later in the decade with The Dream Weaver, (Warner Bros., 1975). Drummer Jerry Shirley could rightly be deemed the anonymous odd man out, except that the pedigree of his bandmates meant little in the United States. 

The earliest Humble Pie recordings mixed folk-rock textures with r&b proclivities Marriott favored, so their initial concerts featured the group playing acoustic sets before they offered electric rock. The impact of the latter element convinced their manager at the time, Dee Anthony, to dictate the group record a live album as a means of consolidating the following Pie had built by constant touring in America: as such Performance: Rockin' the Fillmore (A&M, 1971), in its original double vinyl LP format, was one of the seminal releases of its kind, following closely the groundbreaking likes of The Allman Brothers Band's At Fillmore East (Capricorn, 1971). 

As the only surviving members of Humble Pie, Frampton and Shirley oversaw this project in its exhumation of all four concerts as originally recorded by Eddie Kramer, who was known in his own right by 1971 having worked side-by-side with Jimi Hendrix (his Electric Lady studios was the site of the original mixing). Each show in this set is contained in full, virtually unedited as it happened and, unlike many live albums to come, features no overdubbing to either polish or correct the playing and singing. 

Humble Pie's setlist is almost but not quite identical for each performance, the half-dozen staples of their repertoire, most notably Mac Rebennack's "I Walk On Gilded Splinters," nevertheless open-ended enough to allow the two guitarists room to solo, harmonize in tandem and engage in call and response. Meanwhile, the rhythm section dug into grooves like the one at the bottom of "Four Day Creep," imperceptibly but noticeably generating suspense via a tension and release approach made even more dynamic by Marriott's lead vocals as well as his harp playing. For a diminutive man with a giant voice, he remained largely restrained and likewise, instead of the self-indulgence that marred live rock later in the decade, there's genuine drama within the musicianship here: derived from carefully-devised and executed dynamics, each set is populated with subtle teases defining the concept "from a whisper to a scream" (and back again). 

At approximately thirty-minutes in duration, the aforementioned Dr. John tune is the centerpiece of each of these Humble Pie shows, surrounded by the band's reworkings of songs written by blues icons Muddy Waters ("Rolling Stone"), Willie Dixon ("I'm Ready") and Ray Charles ("Hallelujah (I Love Her So)". As with the latter, a bonecrushing guitar riff forms a foundation upon which Marriott, Ridley and Frampton take turns singing in their distinctly different tones, while the solo sections generally feature the latter offering fluid jazz-tinged guitar, keening with more melody than pyrotechnical flash. Humble Pie blended intelligence and emotion with such combustible results, the Fillmore East audiences came for the group (who were second on a triple bill) and called for encores with the same joyful relish with which the group itself performed its roughly hour-long concerts. 

Humble Pie transform Nick Ashford and Valerie Simpson's well-crafted Motown number "I Don't Need No Doctor" into an exercise in cacophony, as raucous a workout in its own way as the group's original "Stone Cold Fever;" both riff-based numbers find the band bouncing through the chord progressions, largely because no matter how hard he pummeled his drums, Jerry Shirley swung. With Ridley confining himself to lower registers, the notes he plays fuse with Shirley's drumwork, rendering the guitars distinct even at the mostly high-volume, but it's nevertheless a tribute to Bob Ludwig's mastering of Ashley Shepherd's remix on Kramer's forty-year plus recordings that so much of the ambience remains from this mecca of rock venues (which would close its doors about a month later). Their technical work on this box set proves a truly booming sound can resonate with clarity . 

As so carefully recounted in Tim Cohan's accompanying essay, Peter Frampton had departed the band by the time Rockin' the Fillmore was released, going on to a solo career notable for its own similarly-conceived concert pinnacle in the form of Frampton Comes Alive (A&M, 1976). Yet his fond remembrances of shared experiences combine with Shirley's, their comments chiming with comparably enthusiastic praise for their departed bandmates, thus elevating their membership in Humble Pie to its proper perspective in their respective timelines. Likewise, Performance The Complete Recordings cements a similarly esteemed placement for the band in rock history at large.

DiscoGs

Title: Humble Pie: Performance - Rockin' the Fillmore

Year Released: 2013

Record Label: Omnivore Records

Catalog number appears as SP 3506 on spine, back cover and side 1 and side 2 labels. Appears as SP-3506 on side 3 and side 4 labels.

Live recording by FEDCO

Re-mixed at Electric Lady Studios, New York City

A1 published by Ryerson Music Publishers, Inc. BMI

A2, A3 published by Unart Music Corp. BMI

B published by Marzique Music BMI

C published by Arc Music Corp. BMI

D1 published by Hill & Range Songs, Inc. BMI

D2 published by Renleigh Music, Inc./Baby Monica Music, Inc. BMI

SONGWRITING CREDITS - On track A2, back album cover credits "Humble Pie; Words by Willie Dixon" but label credits only Willie Dixon. On track A2 back album cover credits "Humble Pie" but label credits each member individually. On track C, back album album cover correctly credits "Waters" but label erroneously credits Chester Burnett.

AllMusic Review

by Stephen Thomas Erlewine

Recorded while Peter Frampton was still in the band, Performance: Rockin' the Fillmore captures an early performance by Humble Pie where Steve Marriot's lyricism and ideas where balanced by Frampton's searing lead guitar. This is hardly as engaging as As Safe Yesterday Is, which had studiocraft along with songcraft, but as a document of a band at a pivotal point in their existence, this is valuable and at times insightful.

http://freetexthost.com/gyafi6g1yw