The Mothers Of Invention - 1968 - We're Only in It for the Money -
Un disco del Maestro Zappa sátira del Sargento Pimienta, que le gusta a mucha gente y, seguro, que todo dios tiene.
The Mothers of Invention:
* Frank Zappa – guitarra, piano, voz
* Dick Barber – voz
* Jimmy Carl Black – trompeta, batería, voz
* Roy Estrada – bajo eléctrico, voz
* Bunk Gardner – instrumentos de madera
* Billy Mundi – batería, voz
* Don Preston – teclados
* Euclid James "Motorhead" Sherwood – saxos baritono y soprano, voz
* Suzy Creamcheese – voz telefónica
* Ian Underwood – piano, teclados, voz, instrumentos de madera
* Pamela Zarubica – voz
TrackList:
01-Are you hung up -01:25 02-Who needs the Peace Corps -02:34
03-Concentration moon-02:22
04-Mom & dad-02:17
05-Telephone conversation-00:49
06-Bow tie Daddy-00:33
07-Harry, you're a beast-01:21
08-What's the ugliest part of your body -01:03
09-Absolutely free-03:25
10-Flower punk-03:04
11-Hot poop-00:27
12-Nasal retentive calliope music-02:03
13-Let's make the water turn black-02:01
14-The idiot bastard son-03:19
15-Lonely little girl-01:10
16-Take your clothes off when you dance-01:33
17-What's the ugliest part of your body (Reprise)-01:03
18-Mother people-02:26
19-The chrome plated megaphone of destiny-06:25
Tiempo Total: 00:39:20
Wiki
We're Only in It for the Money is the third studio album by the Mothers of Invention. Released on March 4, 1968, on Verve Records, it was subsequently remixed and re-recorded by Frank Zappa and reissued by Rykodisc in 1986.
As with the band's previous two albums, We're Only in It for the Money is a concept album, and satirizes left and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets and Uncle Meat.
We're Only in It for the Money encompasses rock, experimental music and psychedelic rock, with orchestral segments deriving from the recording sessions for Lumpy Gravy, which was previously issued as a solo instrumental album by Capitol Records and was subsequently reedited by Zappa and released by Verve; the reedited Lumpy Gravy was produced simultaneously with We're Only in It for the Money and is the first part of a conceptual continuity, continued with the reedited Lumpy Gravy and concluded with Zappa's final album, Civilization Phaze III (1994).
Background
While filming Uncle Meat, Frank Zappa recorded in New York City for a project called No Commercial Potential, which ended up producing four albums: We're Only in It for the Money, a revised version of Zappa's solo album Lumpy Gravy, Cruising with Ruben & the Jets and Uncle Meat, which served as the soundtrack to the film of the same name, which was not completed until 1987.
Zappa stated, "It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definitely related."
As the recording sessions continued, The Beatles released their acclaimed album Sgt. Pepper's Lonely Hearts Club Band. In response to the album's release, Zappa decided to change the album's concept to parody the Beatles album, because he felt that the Beatles were insincere and "only in it for the money". The Beatles were targeted as a symbol of Zappa's objections to the corporatization of youth culture, and the album served as a criticism of them and psychedelic rock as a whole.
Un envío de Fredericio#08
Dedicado a Januca
(incluye el himno de su panda)
FredeSoundNapiRip#08
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