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17 enero 2021

The Art Of Of The Art Nadja, Just Pepper Friends

Art Pepper

Nombre de nacimiento Arthur Edward Pepper Jr.
Nacido el 1 de septiembre de 1925 Gardena, California, EE. UU.
Murió el 15 de junio de 1982 (56 años) Los Ángeles, California, EE. UU.
Profesión Músico
Instrumentos Saxofón, clarinete
Años activo 1946-1982

Arthur Edward Pepper Jr. (1 de septiembre de 1925 - 15 de junio de 1982) fue un saxo alto estadounidense, y muy ocasionalmente saxo tenor y clarinetista. Gran figura del jazz de la costa oeste, Pepper saltó a la fama en la big band de Stan Kenton. Era conocido por sus actuaciones cargadas de emoción y sus varios cambios de estilo a lo largo de su carrera; el crítico Scott Yanow lo describió como "el gran contralista del mundo" en el momento de su muerte.



Art Pepper nació en Gardena, California, el 1 de septiembre de 1925. Su madre era una fugitiva de 14 años y su padre un marinero mercante. Ambos eran alcohólicos violentos y cuando Art aún era bastante joven, lo enviaron a vivir con su abuela paterna. Expresó interés y talento musical temprano y tomó lecciones. Comenzó a tocar el clarinete a los nueve años, a los 13 cambió al saxo alto e inmediatamente comenzó a tocar en Central Avenue en Los Ángeles, el distrito de clubes nocturnos donder actuaban los grupos de afro-americanos.

A sus 17 años comenzó a tocar profesionalmente con Benny Carter y luego pasó a formar parte de la orquesta de Stan Kenton, girando con la que se convirtió en su banda hasta que fue reclutado en 1943. Después de la guerra regresó a Los Ángeles y se unió a la Kenton Innovations Orchestra. En la década de 1950, Pepper fue reconocido como uno de los principales saxo alto de jazz, quedando en segundo lugar tras Charlie Parker como Mejor Saxo Alto en la encuesta Readers Poll de la revista DownBeat de 1952A Pepper se le asocia a menudo con el movimiento musical conocido como West Coast Jazzjunto con Chet Baker, Gerry Mulligan y Shelly Manne, quizás debido más a la geografía que al estilo de tocar, en contraste con el de la East Coast Jazz (o "Hot") de Charlie Parker, Dizzy Gillespie y Miles Davis.
Algunos de los álbumes más famosos de Pepper de la década de 1950 son Art Pepper Meets the Rhythm Section, Art Pepper + Eleven - Modern Jazz Classics, Gettin 'Together y Smack Up. Como música representativa de esta época aparece en The Aladdin Recordings (tres volúmenes), The Early Show, The Late Show, The Complete Surf Ride y The Way It Was! que presentan una sesión grabada con Warne Marsh.




Su carrera fue interrumpida repetidamente por varias temporadas en prisión derivadas de su adicción a la heroína, pero Pepper logró tener varios "regresos" memorables y productivos. Sorprendentemente, su abuso de sustancias y sus tribulaciones legales no afectaron a la calidad de sus grabaciones, que mantuvieron un alto nivel de musicalidad a lo largo de su carrera hasta su muerte en 1982.

En su último regreso, Pepper se convirtió en miembro de la Buddy Rich's Big Band de 1968 a 1969. A mediados de la década de 1970 y principios de la de 1980, realizó una gira por Europa y Japón con sus propios grupos y grabó decenas de de álbumes, principalmente para Fantasy Records.

Pepper vivió durante muchos años en las colinas de Echo Park, en Los Ángeles. Se había convertido en adicto a la heroína en la década de 1940 y su carrera fue interrumpida por sentencias de prisión relacionadas con las drogas; las dos últimas sentencias se cumplieron en San Quintín y, mientras estuvo allí tocó en una banda con el saxofonista Frank Morgan.



En su regreso de mediados de la década de 1970, después de comenzar terapia con metadona, Art grabó una serie de lúcidos álbumes que incluyen Living Legend, Art Pepper Today, Among Friends y Live in Japan: Vol. 2.

En su autobiografía de 1980, Straight Life, coescrita con su tercera esposa, Laurie Pepper, se analiza el mundo de la música jazz y las subculturas de droga y criminalidad de la California de mediados del siglo XX. Poco después de la publicación de este libro, el director Don McGlynn lanzó el documental Art Pepper: Notes from a Jazz Survivor, en el que se habla de su vida y presenta entrevistas con Art y su esposa Laurie, así como imágenes de una actuación en vivo en el Club de jazz de Malibu.

Pepper falleció de un derrame cerebral en Los Ángeles, el día 15 de junio de 1982, a la edad de 56 años. Está enterrado en el Mausoleo de la Abadía de los Salmos en el Hollywood Forever Cemetery.

Art Pepper, The Return Of Art Pepper, 1957 (Jazz West Jwlp-10)



Genre Jazz – Styles Bop Cool Post-Bop West Coast Jazz Jazz Instrument Saxophone Jazz
Tracks 1-10: Recorded at Capitol Studios in Los Angeles, August 6, 1956.
Tracks 11-15: Recorded at Western Recorders in Los Angeles on January 3, 1957

Intérpretes
Alto Saxophone – Art Pepper (tracks: 1 to 10)
Alto Saxophone, Tenor Saxophone – Art Pepper (tracks: 11 to 15)
Bass – Ben Tucker (tracks: 11 to 15), Leroy Vinnegar (tracks: 1 to 10)
Drums – Joe Morello (tracks: 11 to 15), Shelly Manne (tracks: 1 to 10)
Piano – Gerald Wiggins (tracks: 11 to 15), Russ Freeman (tracks: 1 to 10)
Trumpet – Jack Sheldon (tracks: 1 to 10)
Vibraphone – Red Norvo (tracks: 11 to 15)
Written-By – Art Pepper (tracks: 1, 4 to 11, 13, 15)


Listado de Temas:

Temas #01 a #10 publicados en
Art Pepper, The Return Of Art Pepper, 1957
 (West JWLP-10)

Temas #11 a #15 publicados originalmente en
Collections, Joe Morello, 1957 (Intro Ilp-608)


Cara A

01 - Pepper Returns - 04:26 min.
Composición de Art Pepper

02 - Broadway - 05:00 min.
Composición de DeSylva, Henderson, Brown

03 - You Go To My Head - 04:18 min.
Composición de Gillespie, Coots

04 - Angel Wings - 04:43 min.
Composición de Art Pepper

05 - Funny Blues - 04:38 min.
Composición de Art Pepper


Cara B

06 - Five More - 04:42 min.
Composición de Art Pepper

07 - Minority - 04:20 min.
Composición de Art Pepper

08 - Patricia - 03:39 min.
Composición de Art Pepper

09 - Mambo De La Pinta - 04:17 min.
Composición de Art Pepper

10 - Walkin' Out Blues - 05:57 min.
Composición de Art Pepper



10 Temas. Tiempo Total 00:46:00
flac ¬ 928 ¬ 271,58 MB
RipPor ¬ Roger CC.H33t


Recorded at Western Recorders, Los Angeles on January 3, 1957
Reedition Release Date May 11, 1988




11 - Straight Life - 03:22 min.
Autoría: Art Pepper

12 - Yardbird Suite - 05:46 min.
Autoría: Charlie Parker

13 - Pepper Steak - 03:50 min.
Autoría: Art Pepper

14 - You're Driving Me Crazy - 05:09 min.
Autoría: Walter Donaldson

15 - Tenor Blooz - 05:00 min.
Autoría: Art Pepper

5 Temas. Tiempo Total 00:23:07
flac ¬ 634 ¬ 104,22 MB
RipPor ¬ Rogercc.h33t



Reseñas

AllMusic Review
by Stephen Thomas Erlewine


The Return of Art Pepper, The Complete Art Pepper recopila los 13 masters finales que el saxo alto grabó para Aladdin entre agosto de 1956 y enero de 1957. Estos se titulan The Return of Art Pepper, ya que se grabaron poco después de completar una sentencia de cárcel en 1956. Como resultado, los recursos de Pepper están un poco oxidados, pero se puede escuchar que mantiene la pasión por tocar y que mejora en el transcurso de estas pistas. Para los fans serios de Pepper, vale la pena escucharlo, pero para los fans menos dedicados, quizá haya mejores citas para familiarizarse con su trabajo.

Bill Perkins, Art Pepper, Richie KamucaJust Friends. 1957(Pacific Jazz Pjm 401)

A. K. A.
Bill Perkins, Just Friends
Record Company – Pacific Jazz Enterprises, Inc.
Sello: Pacific Jazz ‎– M-401, Pacific Jazz PJ M-401
Formato: Vinyl, LP, Album
País: US Publicado: 1957, Reissue, 2006
Género: Jazz- Estilo: Cool Jazz



 
Recorded in Los Angeles October 29, 1956 (#1 to 5),
July, 1956 (#6 to 13) & December 11, 1956 (#14 to 17)
Track 10 is a bonus track not on original LP
 Tracks #01 to #05 recorded in Los Angeles, October 29, 1956


1 Just Friends 5:07
Composed By – Klenner, Lewis

2 All Of Me 4:30
Composed By – Marks, Simons

3 Limehouse Blues 3:16
Composed By – Furber, Braham

4 Solid Desylva 4:29
Composed By – B. Perkins

5 Sweet And Lovely 5:02
Composed By – G. Arnheim


Tracks #06 to #13 recorded in Los Angeles, July, 1956

6 Cotton Tail 4:27
Composed By – D. Ellington

7 I Want A Little Girl 5:56
Composed By – Moll, Mencher

8 Blues For Two 4:26
Composed By – K. Mitchell

9 Indian Summer 4:36
Composed By – V. Herbert

10 Don't Be That Way (bonus track not on original Lp) 5:05
Composed By – Goodman, Sampson, Parish

11 Oh! Look At Me Now 5:55
Composed By – Buskin, De Vries

12 Spain 4:58
Composed By – Kahn, Jones

13 Pick A Dilly 5:00
Composed By – A. Cohn


Tracks #14 to #17 recorded in Los Angeles, December 11, 1956

14 Angel Eyes 3:39
Composed By – Brent, Dennis

15 Diane-A-Flow 4:02
Composed By – A. Pepper

16 Zenobia 5:14
Composed By – A. Pepper

17 A Foggy Day 3:54
Composed By – G. Gershwin, I. Gershwin


RipPor ¬  Roger CC.h33t


Créditos
Alto Saxophone – Art Pepper (tracks: 14 to 17)
Bass – Ben Tucker (tracks: 14 to 17), Red Mitchell (tracks: 1 to 13)
Drums – Mel Lewis (tracks: 1 to 5, 14 to 17), Stan Levey (tracks: 6 to 13)
Piano – Hampton Hawes (tracks: 1 to 5), Jimmy Rowles (tracks: 14 to17), Pete Jolly (tracks: 6 to 13)
Tenor Saxophone – Richie Kamuca (tracks: 1 to 13)
Tenor Saxophone, Bass Clarinet, Clarinet, Flute – Bill Perkins
Liner Notes – Howard Rumsey


The Art Of Pepper (Omega Reel-To-Reel Tapes Omt 7020 & St-2030)  1958

Recorded April 1, 1957.




Intérpretes
Alto Saxophone – Art Pepper
Bass – Ben Tucker
Drums – Chuck Flores
Piano – Carl Perkins


Listado de Temas:


101 - Holiday Flight - 05:11 min.
Composición de Robert Farnon

102 - Too Close For Comfort - 06:10 min.
Composición de J. L. Bock

103 - Long Ago And Far Away - 04:11 min.
Composición de I. Gershwin, J. Kern

104 - Begin The Beguine - 07:23 min.
Composición de Cole Porter

105 - I Can't Believe That You're In Love With Me - 05:39 min.
Composición de C. Gaskill, J. McHugh

106 - Summertime - 06:32 min.
Composición de  D.B. Heyward, G. Gershwin

107 - Fascinatin' Rhythm - 04:26 min.
Composición de Ira & G. Gershwin

108 - Body And Soul - 04:22 min.
Composición de John Green

109 - Without A Song - 07:40 min.
Composición de Rose, Elisu, Youmans

110 - The Breeze And I - 03:32 min.
Composición de A. Stillman, E. Lecuona

112 - Webb City - 04:57 min.
Composición de Earl Powel

111 - Surf Ride - 04:42 min.
Composición de Art Pepper

The original LP featured just six of these tracks in the following order: 1, 2, 6, 4, 12, 9.
5 I Can't Believe That You're In Love With Me 5:37
6 Webb City 4:55
7 Summertime 6:31
8 Fascinatin' Rhythm 4:23
9 Body And Soul
10 Without A Song 
11 The Breeze And I
12 Surf Ride

Cd 2, Bonus Tracks included in Japan Pa-31404 Edition as The Art Of The Art Nadja 


201 - Begin The Beguine (alt take) - 06:17 min.
Composición de Cole Porter

202 - Fascinatin' Rhythm (alt take) - 04:01 min.
Composición de Ira & G. Gershwin

203 - Webb City (alt take) - 04:35 min.
Composición de Earl Powel



15 Temas. Tiempo Total 01:19:38
flac ¬ 799 ¬ 426,23 MB
RipPor ¬  Roger CC.h33t



NovaPasta.part1.rar
https://1fichier.com/?zoad63kz6kiv4nnf9hyc
NovaPasta.part2.rar
https://1fichier.com/?023w8nj7ruarxh1sdso0
NovaPasta.part3.rar
https://1fichier.com/?mjtc7lun43kzb8kfd6md

26 noviembre 2020

Ray Brown Selección 09

Raymond Matthews "Ray" Brown,


nacido en Pittsburgh el 13 de octubre 1926 y fallecido el 2 de julio 2002 en Indianápolis, fue músico por purita inclinación natural, pianista de inicio y contrabajista, excepcional, por descarte. Años más tarde comprobaría lo acertado de su elección instrumental, siendo trombonista o pianista, no hubiera llamado la atención de Dizzy, Parker, Powell y Roach. 
 
Se inició en el lenguje musical siendo muy niño y despuntó como pianista. Por razones prácticas, se pasó al contrabajo a pesar de su afición por el trombón (un instrumento excesivamente costoso para su economía personal) dado que, en  la banda de su Instituto,  había excedente de candidatos a pianista y, sin embargo, una vacante  para contrabajista, la elección cayó por su propio peso, Ray quería interpretar música.
Tan en serio se tomó lo de las cuatro cuerdas, que comenzó a practicar en su casa con el instrumento del Instituto y, afrontando el sentido más práctico de su estudio, se atrevió a tocar en algunas salas locales ¡craso error, en una foto de la prensa local inmortalizaron a Ray tocando en vivo con el instrumento del Insti¡ Tras el quilombo, su padre le compró su primer contrabajo.
Al finalizar los estudios actuó con el Jimmy Hinsley Sextet y la orquesta de Snookum Russell (quien ya había contratado a un tal J. J. Johnson). Este inicial período profesional le descubrió el poderoso circuito de los clubes de jazz a lo largo del país.

A los 20 años decide abandonar el grupo de Russell y pirarse a Nueva York. Al llegar, no pasan ni horas cuando, ya en la calle 52, Hank Jones le presenta a Dizzy Gillespie, quien ya había oído hablar de él y estaba buscando contrabajista, y quedaron para un ensayo el día siguiente. A resultas, Ray trabajaría durante dos años con Dizzy, Parker, Powell y Roach, y después en la primera big-band de Guillespie.

En un momento dado, al remplazar en escena a un bajista, Brown conoce al productor Norman Granz, promotor del "Jazz At The Philharmonic", comenzando una relación personal y musical que duraría18 años, con numerosas y habituales sesiones en el "JATP" de Granz. En una de esas sesiones, Ray conoció a Oscar Peterson, con quien simpatizó enseguida, incorporándose a su célebre trío en 1961, manteniéndose hasta 1966. .


Ray Brown Trio & Friends - Jazzwoche Burghausen 2001



https://youtu.be/HHCKFPkHvXg
● Personnel:

RAY BROWN - bass
LARRY FULLER - piano
NICHOLAS PAYTON - trumpet
REGINA CARTER - violin
GEORGE FLUDAS - drums
KEVIN MAHOGANY - vocals
HOLLY HOFMANN - flute
● 32. Internationale Jazzwoche Burghausen 2001, Germany
▶ Ray Brown - Full Length Concerts - http://bit.ly/1RxJbdi
▶ Internationale Jazzwoche Burghausen - Full Length Concerts - http://bit.ly/1BIsmTc


Retomando la cronología, en 1948, tras dejar el grupo de Gillespie, Brown monta su propio trío con Hank Jones y Charlie Smith, que sería la formación con la que, al haberse casado con Ella Fitzgerald, brindaría soporte musicasl a la cantante durante unos años. Los dos artistas siguieron tocando juntos después de su divorció, en 1953.
Durante la década de 1950, Brown grabó, entre otros, con el Milt Jackson Quartet (después llamado Modern Jazz Quartet, con quienes Ray rehusó entrar para incorporarse al trío de Peterson). En 1952, Brown conoció a un joven trompetista de la orquesta de Lionel Hampton, llamado Quincy Jones, con quien iniciaría, a pesar de que no tocarían juntos hasta 10 años después, una gran amistad. Otro hito en la carrera de Mr. Brown se produjo entre los años 1957 y 1958, cuando grabó con Barney Kessel y Shelly Manne varios discos en trío bajo el nombre de "Poll Winners".
En los años sesenta, después de abandonar el Oscar Peterson Trio (donde había pasado quince años hasta ceder su plaza a Sam Jones) Brown se instala en Los Ángeles y se centra en trabajos de estudio. Compuso abundantemente para cine y televisión, colaboró con Michel Legrand y Oliver Nelson (seguiría haciéndolo durante los años setenta) participó en varios famosos shows de televisión en Estados Unidos, y a menudo acompañaba a Frank Sinatra en la Tv. En 1974, fundó el L. A. Four, junto a Bud Shank, Laurindo Almeida y Shelly Manne (después reemplazado por Jeff Hamilton). También colaboró con Quincy Jones en un programa de televisión dedicado a Duke Ellington, "Duke Ellington, We Love you Madly!", cuando el Duque aún vivía (Brown era un rendido admirador de Ellington y Jimmy Blanton ya desde el instituto). En 1979-80, formó un quinteto con Milt Jackson (reemplazado más tarde por Gene Harris) Al Grey, Ron Eschete y Grady Tate. 
Posteriormente, y hasta su fallecimiento, tocó con su propio trío, además del Monty Alexander Trio, y multitud de nuevos artistas de varios países, amén de los ya consagrados, a quienes apoyaba con entusiasmo. Cabe destacar el que brindó a los comienzos de la carrera de Diana Krall.
Tras dejarnos, Ray Brown había dejado su participación en unas 2.000 sesiones de grabación. Además fue asesor del Hollywood Bowl de Los Ángeles, director del Monterey Jazz Festival dos años y director del Concord Summer Festival en 1976 y 1977. 




RecoGratitud por los muchos, intensos, intrspectivos momentos
de ensoñación musical que debo a Mr. Ray Brown Sr.

Ray Brown Selección 09


3 Cds, 43 Temas. Tiempo Total: 03:50:13




Listado de Temas:


Cd 1


 101 - Summer Wind - Ray Brown Trio - 05:40 min. 
Composición de: Heinz Meier, Hans Bradtke, Johnny Mercer 
Del álbum: Live At The Loa Summer Wind, año 2006 
Comentario: Live At The Loa Summer Wind, año 2006 Comentario: Recorded Live at the Loa,Santa Monica, CA, July 1998 - Originally Released in 1998,
Double Bass Ray Brown, Drums Jeff Hamilton, Piano Gene Harris 



 102 - Papa Was A Rolling Stone - Ray Brown John Clayton Christian MCbride - 06:34 min. 
Composición de: Norman Whitfield, Barrett Strong 
Del álbum: Super Bass 2, año 2001 
Comentario: Recording Date December 15, 2000. December 17, 2000, live at the Blue Note, New York City.
Bass Center Ray Brown, Bass Left John Clayton, Bass Right Christian McBride, Percussion George Fludas 



 103 - Bass Face por Bill Evans ¬ 10:08 min.
Composición de Kenny Burrell
Del álbum Quintessence ¬ de Bill Evans ¬ Año 1976
Comentario Recorded At Fantasy Studios, Berkeley, California In May 1976
Intérpretes
Bill Evans Piano; Harold Land Tenor Saxophone; Kenny Burrell Guitar; Ray Brown Bass; Philly Joe Jones Drums



104 - Stompin' At The Savoy - Ella Fitzgerald & Louis Armstrong - 05:14 min.
Composición de Andy Razaf, Benny Goodman, Chick Webb, Edgar Sampson 
Del álbum Ella And Louis Again ¬ de Ella Fitzgerald & Louis Armstrong ¬ Año 1971
Comentario Producer – Norman Granz
Intérpretes Bass – Ray Brown. Drums – Louie Bellson. Guitar – Herb Ellis. Piano – Oscar Peterson. Trumpet – Louis Armstrong. Vocals – Ella Fitzgerald


105 - Crazeology (With Ralph Moore) - Ray Brown - 03:45 min.
Composición de Ralph Moore 
Del álbum Some Of My Best Friends Are The Sax Players ¬ de Ray Brown ¬ Año 1996
Comentario Recorded At Power Station, Studio A, New York, New York From November 20-22, 1995 And Conway Studios, Studio A, Los Angeles, California On February 13, 1996.
Intérpretes Alto Saxophone Benny Carter, Bass Ray Brown, Drums Lewis Nash, Guitar Lorne Lofsky, Piano Oscar Peterson, Trumpet and Flugelhorn Clark Terry 



106 - Things Ain't What They Used to Be por Milt Jackson ¬ 05:11 min.
Composición de Mercer, Ellington, Ted Persons
Del álbum Mostly Duke ¬ de Milt Jackson ¬ Año 1982
Comentario Recorded live in London at Ronnie Scott's; April 23-24, 1982  - AllMusic Review by Scott Yanow. The third of three sets released by Pablo from Milt Jackson's engagement at Ronnie Scott's Club in London in 1982 (this CD first came out in 1991) lives up to its title. The great vibraphonist, pianist Monty Alexander, bassist Ray Brown and drummer Mickey Roker play two standards, the leader's "Used to Be Jackson" and six songs associated with Duke Ellington. The music swings hard, Alexander competes with Bags for solo honors and the music should please all straightahead jazz fans.
Intérpretes
Bass Ray Brown. Drums Mickey Roker. Piano Monty Alexander. Vibraphone Milt Jackson. Design Gilles Margerin


107 - Dexters Deck por Ray Brown, Monty Alexander & Russell Malone ¬ 03:55 min.
Composición de Dexter Gordon
Del álbum Ray Brown  Monty Alexander & Russell Malone ¬ de Ray Brown, Monty Alexander & Russell Malone ¬ Año 2002
Comentario Recorded at Avatar Studios, Studio C, New York City, March 5-7, 2002
Intérpretes
Bass, Ray Brown. Guitar Russell Malone. Piano Monty Alexander



 108 - F. S. R. por Monty Alexander, Ray Brown, Herb Ellis ¬ 06:15 min.
Composición de George Gershwin
Del álbum Overseas Special ¬ de Monty Alexander, Ray Brown, Herb Ellis ¬ Año 1982
Comentario Recorded live at the Satin Doll Club,Tokyo, Japan. March 1982
Intérpretes
Bass Ray Brown. Guitar Herb Ellis. Piano Monty Alexander



 109 - More Than You Know (With Dee Dee Bridgewater) por Ray Brown ¬ 05:30 min.
Composición de Michael Jay, Martika, Marvin Morrow
Del álbum Some Of My Best Friends Are Singers ¬ de Ray Brown ¬ Año 1998
Comentario Recorded September 29, 1998 -Andrew Bartlett - Bassist Ray Brown Spent 15 Years In The Oscar Peterson Trio - Since Then, He's Never Fallen Off The Jazz Map, Becoming A Mainstay In The Mainstream With His Own Swinging, Bop-smart Trio. His "Best Friends" Series Has Also Elevated The Dialogue Of Collective Ensembles, Integrating Seasoned Elders And Neophytes Into His Expanding Band. With This Release, Brown Brings Singers On Board; From The Savvy Old-world Swing Of Etta Jones To The Hip Postbop Of Dee Dee Bridgewater, He Moves Both Smoothly And Solidly. There Are Also Particularly Strong Surprises, From Kevin Mahogany's Deep Blues Tracks To Nancy King's Underheralded Excellence.
Intérpretes
 Bartlett-Bass Ray Brown, Drums Gregory Hutchinson, Piano Geoff Keezer, Vocals Dee Dee Bridgewater-



 110 - Jordu por Barney Kessel With Shelly Manne And Ray Brown ¬ 03:28 min.
Composición de Duke Jordan
Del álbum Trio ¬ de Barney Kessel With Shelly Manne And Ray Brown ¬ Año 1957
Comentario Recorded March 18 & 19, 1957 at Contemporary's Studio, Los Angeles. This is the mono version released in 1957. The stereo version followed in 1958AllMusic Review by Ronnie D. Lankford, Jr. - If the picture of three grown men hanging onto giant, colored swirl sticks looks a bit odd, or if the title The Poll Winners seems a bit conceited, the music, nonetheless -- recorded in 1957 -- still sounds great in 2002. Besides, guitarist Barney Kessel, bassist Ray Brown, and drummer Shelly Manne really did win polls in Down Beat, Playboy, and Metronome in 1956, and this is precisely what brought the players together. Here, on their first outing, they interpret nine pieces for 40 lovely minutes of modern jazz. After kicking off with a fine take on Duke Jordan's "Jordu," the group delivers an emotionally warm, six-minute version of "Satin Doll," one the album's highlights. While each player is always fully engaged in this small setting, Kessel's guitar supplies the lead voice. His expressive style has more in common with bluesy players like Kenny Burrell than cool ones like Tal Farlow. This quality leads to sensitive interpretations of melody-filled standards like "On Green Dolphin Street" and "It Could Happen to You." As is traditional in small settings, both Manne and Brown are also given a piece of the action, usually near the end of a tune. The choice of material, the interplay between the three players, and the lead work all meld together beautifully on The Poll Winners, making it a classic guitar album in a small-group setting.
Intérpretes
Barney Kessel Guitar. Drums Shelly Manne.Bass Ray Brown



111 - Soulville por The Ben Webster Quintet ¬ 08:04 min.
Composición de Ben Webster
Del álbum Soulville ¬ de The Ben Webster Quintet ¬ Año 1957
Comentario Recording Date October 15, 1957, at Capitol Studios, Hollywood, Los Angeles, CA
Intérpretes
Bass Ray Brown. Drums Stan Levey. Guitar Herb Ellis. Liner Notes Nat Hentoff. Mastered By George Marino. Piano Oscar Peterson. Producer Norman Granz. Tenor Saxophone Ben Webster



 112 - Rons Blues por Oscar Peterson, Clark Terry, Benny Carter, Ray Brown ¬ 08:07 min.
Composición de Oscar Peterson
Del álbum The More I See You ¬ de Oscar Peterson, Clark Terry, Benny Carter, Ray Brown ¬ Año 1997
Comentario Recorded January 15, 16, 1995
Intérpretes
Oscar Peterson piano. Benny Carter alto saxophone. Clark Terry flugelhorn. Ray Brown double bass. Lorne Lofsky guitar. Lewis Nash drums



 113 - Bags Groove por Ray Brown feat. Pierre Boussaguet , Jacky Terrasson ¬ 03:40 min.
Composición de Milt Jackson
Del álbum Ray Browns New Two Bass Hits ¬ de Ray Brown feat. Pierre Boussaguet , Jacky Terrasson ¬ Año 1960
Comentario Feat. Pierre Boussaguet, Jacky Terrasson-Recorded 29th April 1991 at Gimmick Studio, Paris, France
Intérpretes
Bass Ray Brown. Bass, Featuring Pierre Boussaguet. Piano, Featuring  Jacky Terrasson. Producer Ray Brown


Cd 1, 13 Temas
Tiempo Total 01:15:31 Flac ¬ 522,38 MB




Cd 2



201 - C. R. S. Craft por Diana Krall ¬ 03:31 min.
Composición de Ray Brown
Del álbum Only Trust Your Heart ¬ de Diana Krall ¬ Año 1995
Comentario Recorded September 13-16, 1994 at Power Station, NYC
Intérpretes
Bass Ray Brown. Drums Lewis Nash. Piano & Vocals Diana Krall. Tenor Saxophone Stanley Turrentine



202 - Blues in the Night (MyMumDonTol'Me) por Louis Armstrong Oscar Peterson ¬ 05:16 min.
Composición de Harold Arlen & Johnny Mercer
Del álbum Louis Armstrong Meets Oscar Peterson ¬ de Louis Armstrong Oscar Peterson ¬ Año 1957
Comentario Tracks 1 - 12, recorded, stereo, in Chicago, October 14, 1957.Tracks 13 - 16 recorded, mono, in Los Angeles, July 31, 1957
Intérpretes
Bass Ray Brown. Drums Louis Bellson. Guitar Herb Ellis. Piano Oscar Peterson. Vocals, Trumpet Louis Armstrong



203 - Strike Up The Band por Buddy De Franco Oscar Peterson ¬ 02:26 min.
Composición de Buddy De Franco & Oscar Peterson
Del álbum Play George Gershwin  ¬ de Buddy De Franco Oscar Peterson ¬ Año 1954
Comentario December 6, 7, 1954, Los Angeles, California
Intérpretes
Bass Ray Brown. Clarinet Buddy DeFranco. Drums Bobby White. Guitar Herb Ellis. Piano Oscar Peterson. Conductor & Arranged By Russell Garcia



204 - I Want To Be Happy por Monty Alexander, Ray Brown, Herb Ellis ¬ 02:38 min.
Composición de Irving Caesar, Vincent Youmans
Del álbum Trio ¬ de Monty Alexander, Ray Brown, Herb Ellis ¬ Año 1981
Comentario Recorded at Coast Recorders, San Francisico, California August 1980, Remixed at PER, San Francisco, California
Intérpretes
Bass Ray Brown. Guitar Herb Ellis. Piano Monty Alexander



205 - Caravan por Milt Jackson ¬ 04:21 min.
Composición de Juan Tizol and Duke Ellington
Del álbum Mostly Duke ¬ de Milt Jackson ¬ Año 1982
Comentario Recorded live in London at Ronnie Scott's; April 23-24, 1982
Intérpretes
Bass Ray Brown. Drums Mickey Roker. Piano Monty Alexander. Vibraphone Milt Jackson



206 - Arletta Blues por Lalo Schifrin ¬ 02:54 min.
Composición de Lalo Schifrin
Del álbum Cool Hand Luke O. S. T. ¬ de Lalo Schifrin ¬ Año 1967
Comentario Cool Hand Luke O. S. T. (La leyenda del indomable año) 1967. Recording Date 1967. Reedit. 2001
Intérpretes
Howard Roberts & Tommy Tedesco guitar, Earl Palmer drums, Tom Malone Harmonica, Ray Brown bass



207 - One For Hamp por Ray Brown, Monty Alexander, Russell Malone ¬ 03:36 min.
Composición de Ray Brown
Del álbum Ray Brown, Monty Alexander, Russell Malone ¬ de Ray Brown, Monty Alexander, Russell Malone ¬ Año 2002
Comentario Recorded at Avatar Studios, Studio C, New York City, March 5-7, 2002
Intérpretes
Bass, Ray Brown, Guitar Russell Malone, Piano Monty Alexander



208 - Poor Butterfly (With Etta Jones) por Ray Brown ¬ 03:24 min.
Composición de James Van Heusen
Del álbum Some Of My Best Friends Are Singers ¬ de Ray Brown ¬ Año 1998
Comentario Release Date September 29, 1998. Andrew Bartlett - Etta Jones To The Hip Postbop Of Dee Dee Bridgewater, He Moves Both Smoothly And Solidly. There Are Also Particularly Strong Surprises, From Kevin Mahogany's Deep Blues Tracks To Nancy King's Underheralded Excellence.
Intérpretes
Bassist Ray Brown Spent 15 Years In The Oscar Peterson Trio. Since Then, He's Never Fallen Off The Jazz Map, Becoming A Mainstay In The Mainstream With His Own Swinging, Bop-smart Trio. His "Best Friends" Series Has Also Elevated The Dialogue Of Collective Ensembles, Integrating Seasoned Elders And Neophytes Into His Expanding Band. With This Release, Brown Brings Singers On Board; From The Savvy Old-world Swing Of Saxophone Antonio Hart, Vocals Nancy King, Bass  Ray Brown, Gregory Hutchinson, Geoff Keezer



209 - I'm Afraid The Masquerade Is Over por Monty Alexander Ray Brown Herb Ellis ¬ 04:08 min.
Composición de Herbert Magidson, Allie Wrubel
Del álbum Srtaight Ahead ¬ de Monty Alexander Ray Brown Herb Ellis ¬ Año 1982
Comentario Cd-1 - Coast Recorders, San Francisco, Ca-08.1980.03.1982
Intérpretes
Monty Alexander, piano; Ray Brown, contrabajo; Herb Ellis, guitarra



210 - Bluesology por The Oscar Peterson Trio ¬ 09:23 min.
Composición de Milt Jackson
Del álbum At The Concertbouw ¬ de The Oscar Peterson Trio ¬ Año 1957
Comentario Recorded September 29, 1957 & October 9, 1957 at Civic Opera House, Chicago, IL & Shrine Auditorium, Los Angeles, CA
Intérpretes
Bass Ray Brown, Guitar Herb Ellis, Piano Oscar Peterson



211 - Gee, Baby Ain't I Good To You por Ella Fitzgerald & Louis Armstrong ¬ 04:13 min.
Composición de Andy Razaf, Don Redman
Del álbum Ella And Louis Again ¬ de Ella Fitzgerald & Louis Armstrong ¬ Año 1971
Comentario Recording Date August 13 & 23, 1957, At Los Angeles, CA
Intérpretes
Bass Ray Brown. Drums Louie Bellson. Guitar Herb Ellis. Piano Oscar Peterson. Trumpet & Vocals Louis Armstrong. Vocals Ella Fitzgerald



212 - Willow Weep for Me por Louis Armstrong ¬ 04:22 min.
Composición de Ann Ronell
Del álbum Louis Armstrong Meets Oscar Peterson ¬ de Louis Armstrong ¬ Año 1957
Comentario Tracks 1 - 12, stereo, recorded in Chicago, October 14, 1957.Tracks 13 - 16, mono, recorded in Los Angeles, July 31, 1957
Intérpretes
Oscar Peterson piano. Herb Ellis guitar. Ray Brown double bass. Louie Bellson drums. Louis Armstrong trumpet, vocals



213 - On The Trail por Oscar Peterson, Clark Terry, Benny Carter, Ray Brown ¬ 07:02 min.
Composición de Ferde Grofé
Del álbum The More I See You ¬ de Oscar Peterson, Clark Terry, Benny Carter, Ray Brown ¬ Año 1997
Comentario  Recorded in Studio 2 Manta,  Eastern Sound, Toronto, Ontario, Canada , January 15-16, 1965
Intérpretes
Alto Saxophone Benny Carter, Bass Ray Brown, Drums Lewis Nash, Guitar Lorne Lofsky, Piano Oscar Peterson, Trumpet, Flugelhorn Clark Terry



214 - Trictactism por Ray Brown Feat. Pierre Boussaguet , Jacky Terrasson ¬ 04:33 min.
Composición de Ray Brown's New Two Bass Hits
Del álbum Ray Brown's New Two Bass Hits ¬ de Ray Brown Feat. Pierre Boussaguet , Jacky Terrasson ¬ Año 
Comentario Recorded 29th April 1991 at Gimmick Studio, Paris, France ~ Scott Yanow, All Music Guide-For this project, Ray Brown is featured in a two-bass trio with fellow bassist Pierre Boussaquet and the up-and-coming pianist Jacky Terasson. The unusual combination works quite well with Brown being the dominant solo voice and the main force behind the music. Included are such songs as "How High the Moon," "America the Beautiful," and "Bye Bye Blackbird" plus a four-song Duke Ellington medley and a three-tune medley of bossa nova songs. The frameworks are inventive, making this a disc of unusual interest.
Intérpretes
Bass Ray Brown. Bass Featuring Pierre Boussaguet. Cover Shelley Hubbard. Piano, Featuring Jacky Terrasson. Producer Ray Brown. Recorded By Hervé Le Guil. Remastered By Doug Sax



215 - Love Walked In (With Benny Carter) por Ray Brown ¬ 04:39 min.
Composición de George Gershwin, Ira Gershwin
Del álbum Some Of My Best Friends Are The Sax Players ¬ de Ray Brown ¬ Año 1996
Comentario Recorded At Power Station, Studio A, New York, New York From November 20-22, 1995 And Conway Studios, Studio A, Los Angeles, California On February 13, 1996
Intérpretes
Ray Brown Trio:  Ray Brown Bass;  Benny Green Piano;  Gregory Hutchinson (Drums). Guest Friend Benny Carter, Alto Saxophone



216 - Mistreated But Undefeated Blues por Ray Brown Trio ¬ 04:17 min.
Composición de Ray Brown
Del álbum Soular Energy ¬ de Ray Brown Trio ¬ Año 2002
Comentario Recording Date August, 1984 at Coast Recorders, San Francisco, CA
Intérpretes
Bass Ray Brown. Drums Gerryck King. Piano Gene Harris



217 - Time After Time por Ben Webster ¬ 04:38 min.
Composición de Jule Styne, Sammy Cahn
Del álbum Ben Webster and Associates ¬ de Ben Webster ¬ Año 1959
Comentario Recorded in New York City April 9, 1959
Intérpretes
Bass Ray Brown. Drums Jo Jones. Guitar Leslie Spann. Piano Jimmy Jones. Tenor Saxophone Ben Webster, Budd Johnson, Coleman Hawkins. Trumpet Roy Eldridge


Cd 2, 17 Temas
Tiempo Total 01:15:21 ¬ 413,59 MB



MILT JACKSON (vib)
RAY BROWN (bass)
CEDAR WALTON (piano)
MICKEY ROKER (drums)
By Satoru kwz



Cd 3


 301 - I Want To Be Happy - Monty Alexander, Ray Brown, Herb Ellis - 02:38 min.
Composición de Irving Caesar, Vincent Youmans 
Del álbum Trio ¬ de Monty Alexander, Ray Brown, Herb Ellis ¬ Año 1981
Comentario Recorded at Coast Recorders, San Francisico, CA, August 1980, Remixed at PER, San Francisco CA
Intérpretes Bass Ray Brown. Guitar Herb Ellis. Piano Monty Alexander



 302 - Gee, Baby Ain't I Good To You - Ella Fitzgerald & Louis Armstrong - 04:13 min. 
Composición de: Andy Razaf, Don Redman 
Del álbum: Ella And Louis Again, año 1971 
Comentario: Recording Date August 13 & 23, 1957, At Los Angeles, CA.
Intérpretes Bass Ray Brown. Drums Louie Bellson. Guitar Herb Ellis. Piano Oscar Peterson, Trumpet & Vocals Louis Armstrong. Vocals Ella Fitzgerald 



 303 - On Green Dolphin Street - Barney Kessel With Shelly Manne And Ray Brown - 04:00 min. 
Composición de: Bronislau Kaper, Ned Washington 
Del álbum: The Poll Winners, año 1957 
Comentario Recorded March 18 & 19, 1957 at Contemporary's Studio, Los Angeles. This is the mono version released in 1957. The stereo version followed in 1958. 
Intérpretes Bass Ray Brown. Drums Shelly Manne. Guitar Barney Kessel



 304 - Three Little Words - Milt Jackson - 04:52 min. 
Composición de: Bert Kalmar, Harry Ruby 
Del álbum: Mostly Duke, año 1982 
Comentario Recorded live in London at Ronnie Scott's; April 23-24, 1982. AllMusic Review by Scott Yanow. The third of three sets released by Pablo from Milt Jackson's engagement at Ronnie Scott's Club in London in 1982 (this CD first came out in 1991) lives up to its title. The great vibraphonist, pianist Monty Alexander, bassist Ray Brown and drummer Mickey Roker play two standards, the leader's "Used to Be Jackson" and six songs associated with Duke Ellington. The music swings hard, Alexander competes with Bags for solo honors and the music should please all straightahead jazz fans. 
Intérpretes Bass – Ray Brown. Drums Mickey Roker. Piano Monty Alexander. Vibraphone Milt Jackson



 305 - Put Your Little Foot Right Out - Monty Alexander, Ray Brown, Herb Ellis - 05:58 min. 
Composición de: Larry Spie 
Del álbum: Trio, año 1981 
Comentario Recorded at Coast Recorders, San Francisico, CA August 1980, Remixed at PER, San Francisco, CA
Intérpretes Bass Ray Brown. Guitar Herb Ellis. Piano Monty Alexander



 306 - Things Ain't What They Used to Be - Milt Jackson - 05:11 min. 
Composición de: Mercer, Ellington, Ted Persons 
Del álbum: Mostly Duke, año 1982 
Comentario Recorded live in London at Ronnie Scott's; April 23-24, 1982. AllMusic Review by Scott Yanow. The third of three sets released by Pablo from Milt Jackson's engagement at Ronnie Scott's Club in London in 1982 (this CD first came out in 1991) lives up to its title. The great vibraphonist, pianist Monty Alexander, bassist Ray Brown and drummer Mickey Roker play two standards, the leader's "Used to Be Jackson" and six songs associated with Duke Ellington. The music swings hard, Alexander competes with Bags for solo honors and the music should please all straightahead jazz fans.
Intérpretes Bass Ray Brown. Drums Mickey Roker. Piano Monty Alexander. Vibraphone Milt Jackson



 307 - Just One of Those Things - Louis Armstrong & Oscar Peterson - 04:07 min.
Composición de Cole Porter 
Del álbum Louis Armstrong Meets Oscar Peterson ¬ de Louis Armstrong & Oscar Peterson ¬ Año 1957
Comentario stereo recorded in Chicago, October 14, 1957.
Intérpretes Bass Ray Brown. Drums Louis Bellson. Guitar Herb Ellis. Piano Oscar Peterson. Vocals, Trumpet Louis Armstrong.
 


 308 - Sonny Boy - Sonny Rollins - 08:23 min. 
Composición de: Al Jolson, Buddy G. De Sylva, Lew Brown, Ray Henderson 
Del álbum: Sonny Boy, año 1956 
Comentario Recorded December 7, 1956 At Van Gelder Studio, Hackensack, New Jersey
Intérpretes Bass George Morrow. Drums Max Roach. Piano Kenny Drew. Tenor Saxophone Sonny Rollins 
 


 309 - The More I See You - Oscar Peterson, Ray Brown,  Milt Jackson - 08:41 min. 
Composición de: Harry Warren, Mack Gordon 
Del álbum: What's Up The Very Tall Band, año 1998 
Comentario Recorded live at the Blue Note Jazz Club, NYC, November 24-26, 1998 
Intérpretes Bass Ray Brown. Drums Karriem Riggins. Piano Oscar Peterson. Vibraphone Milt Jackson
 


 310 - Time After Time - Ben Webster - 04:38 min. 
Composición de: Jule Styne, Sammy Cahn 
Del álbum: Ben Webster and Associates, año 1959 
Comentario Recorded in New York City April 9, 1959
Intérpretes Bass Ray Brown. Drums Jo Jones. Guitar Leslie Spann. Piano Jimmy Jones. Tenor Saxophone Ben Webster, Budd Johnson, Coleman Hawkins. Trumpet Roy Eldridge



 311 - You're Gonna Hear From Me - André Previn - 04:20 min. 
Composición de: André Previn, Dory Previn 
Del álbum: What Headphones, año 1993 
Comentario Recorded : Manhattan Center Studios, New York , Oct 5 1993
Intérpretes Ray Brown Bass. Grady Tate Drums. Mundell Lowe Guitar. Warren Vache Cornet. Jim Pugh Trombone. Richard Todd French Horn



 312 - Nobody Else But Me - Bill Evans - 07:29 min. 
Composición de: Jerome Kern, Oscar Hammerstein II 
Del álbum: Quintessence, año 1976 
Comentario Recorded At Fantasy Studios, Berkeley, California In May 1976.
Intérpretes Bill Evans Piano; Harold Land Tenor Saxophone; Kenny Burrell Guitar; Ray Brown Bass; Philly Joe Jones Drums
 


 313 - Poor Butterfly (With Etta Jones) - Ray Brown - 03:24 min. 
Composición de: Raymond Hubbell, John L. Golden
Del álbum: Some Of My Best Friends Are Singers, año 1998 
Comentario Release Date September 29, 1998. Bassist Ray Brown Spent 15 Years In The Oscar Peterson Trio. Since Then, He's Never Fallen Off The Jazz Map, Becoming A Mainstay In The Mainstream With His Own Swinging, Bop-smart Trio. His "Best Friends" Series Has Also Elevated The Dialogue Of Collective Ensembles, Integrating Seasoned Elders And Neophytes Into His Expanding Band. With This Release, Brown Brings Singers On Board; From The Savvy Old-world Swing Of Etta Jones To The Hip Postbop Of Dee Dee Bridgewater, He Moves Both Smoothly And Solidly. There Are Also Particularly Strong Surprises, From Kevin Mahogany's Deep Blues Tracks To Nancy King's Underheralded Excellence. --Andrew Bartlett 
Intérpretes Ray Brown double bass. Geoff Keezer piano. Gregory Hutchinson – drums. Antonio Hart alto saxophone. Russell Malone guitar. Etta Jones Voice



 314 - Who Cares  - Ray Brown with John Clayton & Christian McBride - 04:31 min. 
Composición de: George Gershwin 
Del álbum: Super Bass, año 1996 
Comentario Recorded in Scullers Jazz Club, Boston, Massachusetts, October 17-18,1996
Intérpretes Bass Christian McBride, John Clayton Jr. & Ray Brown. Drums Gregory Hutchinson. Piano Benny Green



 3145 - In A Sentimental Mood (Special Unreleased Track) - Ray Brown - 04:11 min. 
Composición de: Duke Ellington, Manny Kurt, Irving Mills 
Del álbum: Ray Brown's 75th Birthday Anniversary Tour Band, 36 Jazzaldia, año 2001 
Comentario (36Jazzaldia.TVEAudioRip)SpecialUnreleasedTrack - 36 Jazzaldia, Donosti, TVEAudioRip-75th Birthday Anniversary Tour, año 2001-36 Jazzaldia, San Sebastián, 28 de Julio de 2001-San Sebastián, 28 de Julio de 2001, 36 Jazzaldia-Ray Brown en la gira de celebración de sus 75 años, bien acompañado por Hank Jones, Alvin Queen y James Morrison. Su concierto en Donostia, retransmitido en stéreo por tv, fue una auténtica demostración de elegante jazz clásico, a cargo de alguno de los últimos representantes de una generación irrepetible.
Intérpretes Ray Brown, contrabajo. Hank Jones, piano. Alvin Queen, batería. Invitado especial: James Morrison, trompeta y trombón. 

Cd 3, 13 Temas
Tiempo Total 01:15:42 Flac ¬ 400,72 MB


Ray Brown Selección 09b
3 Cds, 43 Temas
Tiempo Total 03:46:34 flac ¬ 1,31 GB ¬ Reco por Lisa#20

El Cielo Y El Dedo
http://ElCieloYElDedo.blogspot.com 

Gracias Ray, y a la vida, por la oportunidad de escucharte.




Ray Brown's 75th Birthday Anniversary Tour Band, 2001
at 36 Jazzaldia, Donostia 2001
TvHiFiAudioRip


Cartel del 36 Jazzaldia, Donostia 2001


Fuentes consultadas:

Jazz Magazine 2002
Wikipedia
AllMusic
DiscoGs
BAJO EL REINO DE RAY (articulo publicado en Jazz Magazine en marzo de 1984)
Por Mike Hennessey  tomajazz.com
http://www.tomajazz.com/perfiles/brown_ray.htm

Ray Brown 
http://www.apoloybaco.com/raybrwonbiografia.htm



Ray Brown Selección 09b, 3 Cds [Flac]
RBsrS09.3C.Nou69L
https://1fichier.com/?ldb2xy9s4gonsmdz5bp4


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