Ray Charles - Original Album Series-5-CD-Box.1957-1961.Reed 2010

Ray Charles

De William Morris Agency (management)/Photo by Maurice Seymour, New York. - eBayfrontback, Dominio público,

De William Morris Agency (management)

Photo by Maurice Seymour, New York. - eBayfrontback, Dominio público,

https://commons.wikimedia.org/w/index.php?curid=31003128

Ray Charles Robinson (Albany (Georgia), Estados Unidos, 23 de septiembre de 1930-Beverly Hills, 10 de junio de 2004), más conocido como Ray Charles, fue un cantante, saxofonista1​ y pianista de soul, R&B, ciego desde los 7 años.

Charles nació en Albany, Georgia. Comenzó a perder la vista entre los 5 y 10 años de edad, cuando quedó ciego completamente, aparentemente a causa de un glaucoma, de acuerdo a la evaluación de los oftalmólogos de la época. Cuando todavía era un niño su familia se mudó a una comunidad de muy pocos recursos en Greenville, Florida, donde comenzó a mostrar su interés por la música. Desde 1937 y hasta 1945 tomó clases en la Escuela de Sordos y Ciegos de la Florida, en la ciudad de San Agustín donde comenzó a desarrollar sus habilidades musicales. Aunque lo que más aprendía en la escuela era música clásica, Charles mostró un interés por el jazz y el blues cuando escuchaba la radio. A finales de la década de los cuarenta, Ray Charles Robinson consigue colocar un disco en las listas de su país, y en 1951 obtiene su primer top ten, gracias a «Baby, Let Me Hold Your Hand». Fue criticado por cantar canciones góspel con letras populares, aunque hay una gran tradición al poner letras religiosas a canciones y viceversa. Thomas A. Dorsey, uno de los fundadores de la música góspel, que también tuvo una carrera significativa en la música popular. Solomon Burke y Little Richard incluso se movieron entre los dos estilos.

Ray Charles - Original Album Series - 5 Cd's Box 

1957 - 1961 Reed. 2010

Series: Original Album Series

Box Set Compilation 5 Cd's Album, Reissue

Format: Box Set, CD, Album, Reissue,

Country: Europe Released: 2010

Genre: Jazz, Funk / Soul, Blues - Style: Soul

The Great Ray Charles (1957)

Recorded in NYC, April 30, 1956 (A3), 

November 20, 1956 (A1, B2, B3) 

and November 26, 1956 (A2, A4, B1, B4) 

[jazzdisco.org]

RipPor: Demonoid.ph

Créditos

Alto Saxophone, Tenor Saxophone – David Newman

Baritone Saxophone – Emmott Dennis

Bass – Oscar Pettiford, Roosevelt Sheffield

Celesta – Ray Charles

Drums – Joe Harris, William Peeples

Piano – Ray Charles

Soloist [Trumpet] – Joseph Bridgewater

Trumpet – Joseph Bridgewater, John Hunt

Listado de Temas:

01 - The Ray - 03:57 min.

Written-By, Arranged By – Quincy Jones

02 - My Melancholy Baby - 04:22 min.

Arranged By – Ray Charles

Written-By – Ernie Burnett, George A. Norton, Maybelle E. Watson

03 - Black Coffee - 05:43 min.

Written-By – Paul Francis Webster, Sonny Burke

04 - There's No You - 04:50 min.

Written-By – Hal Hooper, Tom Adair

05 - Doodlin' - 05:55 min.

Arranged By – Quincy Jones

Written-By – Horace Silver

06 - Sweet Sixteen Bars - 04:05 min.

Written-By – Ray Charles

07 - I Surrender Dear - 05:08 min.

Written-By – Gordon Clifford, Harry Barris

08 - Undecided - 03:41 min.

Arranged By – Ernie Wilkins, Quincy Jones

Written-By – Charlie Shavers, Sid Robins

8 Temas. Tiempo Total: 00:37:41

flac @ 807 - 215,43 MB

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Compañías, etc.

Mastered At – Atlantic Studios

Design [Cover] – Marvin Israel

Engineer [Recording] – Earl Brown, Tom Dowd

Liner Notes – Gary Kramer

Photography By [Cover Photo] – Lee Friedlander

Supervised By – Jerry Wexler, Nesuhi Ertegun

Ray Charles at Newport (1958)

This album was recorded in its entirety at The Newport Jazz Festival

in Newport, Rhode Island on July 5, 1958

by special arrangement with the Directors of The Newport Jazz Festival

Baritone Saxophone – Bennie Crawford

Bass – Edgar Wills

Drums – Richie Goldberg

Tenor Saxophone – David Newman

Trumpet – Lee Harper, Marcus Belgrave

Vocals – The Raylettes (tracks: A1, B2)

Vocals, Piano, Alto Saxophone – Ray Charles

Listado de Temas:

01 - The Right Time - 04:02 min.

Composición de: L. Herman, N. Brown, O. Cadena [Vocals Solo Girl Marjorie Hendricks]

02 - In a Little Spanish Town - 03:54 min.

Composición de: Joe Young, Mabel Wayne, Sam Lewis

03 - I Got a Woman - 06:19 min.

Composición de: Ray Charles

04 - Blues Waltz - 06:29 min.

Composición de: Ray Charles

05 - Hot Rod - 03:51 min.

Composición de: Ray Charles [Alto Sax. Ray Charles]

06 - Talkin' 'Bout You - 04:21 min.

Composición de: Ray Charles

07 - Sherry - 04:24 min.

Composición de: Bennie Ross Crawford Jr.

08 - A Fool for You - 07:11 min.

Composición de: Ray Charles

8 Temas. Tiempo Total: 00:40:31

flac @ 948 - 266,77 MB

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Reseñas:

Ray Charles ‎– Ray Charles At Newport

Formato: Vinyl, LP, Album, Mono 

País: US Fecha: 1958

Género: Jazz, Funk / Soul, Blues

Estilo: Rhythm & Blues, Soul

Créditos

Design [Cover] – Marvin Israel

Engineer [Recording] – Harold Chapman, Tom Dowd

Liner Notes – Kenneth Lee Karpe

Photography By [Cover] – Lee Friedlander

Supervised By – Nesuhi Ertegun

Written-By – Ray Charles (tracks: A3 to B2, B4)

The Genius of Ray Charles (1959)

The Genius of Ray Charles is the sixth studio album by American recording artist Ray Charles, released in 1959 by Atlantic Records. The album eschewed the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements. It comprises a first half of big band songs and a second half of string-backed ballads. The Genius of Ray Charles sold fewer than 500,000 copies and charted at number 17 on the Billboard 200. "Let the Good Times Roll" and "Don't Let the Sun Catch You Cryin'" were released as singles in 1959.

Formato: Vinyl, LP, Album, Stereo

Recorded May 6 and June 23, 1959 at 6 West Recording in New York City on Ampex 3 track.

País: US Fecha: Oct 1959

Género: Jazz, Pop Estilo: Soul-Jazz, Big Band, Soul

Formación:

Alto Saxophone – Marshall Royal (tracks: A1 to A6)

Baritone Saxophone – Bennie Crawford (tracks: A1 to A6), Charlie Fowlkes (tracks: A1 to A6)

Bass – Eddie Jones (tracks: A1 to A6), Edgar Willis (tracks: A1 to A6), Wendell Marshall (tracks: B1 to B6)

Bongos – Jose Mangual (tracks: A3)

Concertmaster – Harry Lookofsky (tracks: B1 to B6)

Drums – Charlie Persip (tracks: A1 to A6), Teagle Fleming (tracks: A1 to A6), Ted Sommer (tracks: B1 to B6)

Flute, Alto Saxophone, Tenor Saxophone – Frank Wess (tracks: A1 to A6)

Guitar – Allen Hanlon (tracks: B1 to B6), Freddie Greene (tracks: A1 to A6)

Piano, Vocals – Ray Charles

Soloist [Tenor Saxophone] – David "Fathead" Newman (tracks: A1, A2, A5, A6), Paul Gonsalves (tracks: A4)

Tenor Saxophone – Billy Mitchell (tracks: A2, A4, A5), David Newman (tracks: A1 to A6), Paul Gonsalves (tracks: A1 to A6), Zoot Sims (tracks: A1, A3, A6)

Trombone – Al Gray (tracks: A1 to A6), Bob Brookmeyer (tracks: B1 to B6), Melba Liston (tracks: A1 to A6), Quentin Jackson (tracks: A1 to A6), Thomas Mitchell (tracks: A1 to A6)

Trumpet – Clark Terry (tracks: A1 to A6), Ernie Royal (tracks: A1 to A6), Snookie Young (tracks: A1 to A6), Joe Newman (tracks: A1 to A6), John Hunt (tracks: A1 to A6), Marcus Belgrave (tracks: A1 to A6)

Listado de Temas:

01 - Let the Good Times Roll - 02:50 min.

Composición de: Fleecie Moore, Sam Theard

02 - It Had to Be You - 02:41 min.

Composición de: 

03 - Alexander's Ragtime Band - 02:50 min.

Composición de: Irving Berlin (Arranged Ralph Burns)

04 - Two Years of Torture - 03:22 min.

Composición de: harles Joseph Morris, Percy Mayfield (Arranged Johnny Acea)

05 - When Your Lover Has Gone - 02:48 min.

Composición de: E. A. Swan (Arranged Al Cohn)

06 - Deed I Do - 02:24 min.

Composición de: Fred Rose, Walter Hirsch (Arranged Quincy Jones)

07 - Just for a Thrill - 03:23 min.

Composición de: on Raye, Lil Armstrong (Arranged Ralph Burns)

08 - You Won't Let Me Go - 03:18 min.

Composición de: Bud Allen, Buddy Johnson (Arranged Ralph Burns)

09 - Tell Me You'll Wait for Me - 03:21 min.

Composición de: Charles Brown, Oscar Moore (Arranged Ralph Burns)

10 - Don't Let the Sun Catch You Cryin' - 03:43 min.

Composición de: Joe Greene (Arranged Ralph Burns)

11 - Am I Blue - 03:35 min.

Composición de: Grant Clarke, Harry Akst (Arranged Ralph Burns)

12 - Come Rain or Come Shine - 03:39 min.

Composición de: Mercer-Arlen (Arranged Ralph Burns)

12 Temas. Tiempo Total: 00:37:54

flac @ 974 - 241,64 MB

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Créditos

Design [Cover] – Marvin Israel

Engineer [Recording] – Bill Schwartau, Tom Doud

Liner Notes – Nat Hentoff

Photography By [Cover] – Lee Friedlander

Supervised By – Jerry Wexler, Nesuhi Ertegun

The Genius Sings the Blues (1961)

The Genius Sings the Blues is an album by Ray Charles, released in October 1961 on Atlantic Records. The album was his last release for Atlantic, compiling twelve blues songs from various sessions during his tenure for the label. The album showcases Charles's stylistic development with a combination of piano blues, jazz, and southern R&B. The photo for the album cover was taken by renowned photographer Lee Friedlander. The Genius Sings the Blues was reissued in 2003 by Rhino Entertainment with liner notes by Billy Taylor.

Recorded 1952–1960 - Released October 1961

Personnel

Side 1, Track 1 - Marcus Belgrave, John Hunt (trumpet) David Newman (tenor saxophone) Bennie Crawford (baritone saxophone) Ray Charles (piano, organ, vocals) Edgar Willis (bass) Teagle Fleming (drums). Recorded NYC, October 28, 1958

Side 1, Track 2 - Joe Bridgewater, Riley Webb (trumpet) David Newman (alto, baritone saxophone) Don Wilkerson (tenor saxophone) Ray Charles (piano, vocals) Roosevelt Sheffield (bass) William Peeples (drums). Recorded Miami, FL, April 23, 1955

Side 1, Track 4 - Marcus Belgrave, John Hunt (trumpet) David Newman (tenor saxophone) Bennie Crawford (baritone saxophone) Ray Charles (piano, organ, vocals) Edgar Willis (bass) Teagle Fleming (drums). Recorded NYC, October 28, 1958

Listado de Temas:

01 - Early in the Morning - 02:46 min.

Composición de: Dallas Bartley, Leo Hickman, Louis Jordan

02 - Hard Times (Nobody Knows Better Than I) - 02:54 min.

Composición de: Ray Charles

03 - The Midnight Hour - 02:59 min.

Composición de: Sam Sweet

04 - (Night Time Is) The Right Time - 03:22 min.

Composición de: Napoleon Brown, Ozzie Cadena, Lew Herman

05 - Feelin' Sad - 02:48 min.

Composición de: Guitar Slim

06 - Ray's Blues - 02:53 min.

Composición de: Ray Charles

07 - I'm Movin' On - 02:11 min.

Composición de: Hank Snow

08 - I Believe to My Soul - 02:59 min.

Composición de: Ray Charles

09 - Nobody Cares - 02:38 min.

Composición de: Ray Charles

10 - Mr. Charles Blues - 02:46 min.

Composición de: Ray Charles

11 - Some Day Baby - 02:58 min.

Composición de: Ray Charles

12 - I Wonder Who - 02:46 min.

Composición de: Ray Charles

12 Temas. Tiempo Total: 00:34:00

flac @ 454 - 97,79 MB

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The Genius After Hours (1961)

The Genius After Hours is a 1961 album by Ray Charles. All of the songs were taken from the same three studio sessions that created the album The Great Ray Charles which featured the use of both a trio and a septet; the latter arranged by Quincy Jones. Also appearing on the album is David "Fathead" Newman on tenor and alto, as well as the trumpeter Joseph Bridgewater. It was reissued in 1985 by Atlantic Jazzlore.

Recorded  April 30, 1956 - September 12, 1957
in New York City. Released 1961

Personnel
Ray Charles - piano, vocals
David "Fathead" Newman - alto saxophone, tenor saxophone
Emmett Dennis - baritone saxophone
Joseph Bridgewater & John Hunt - trumpet
Oscar Pettiford or Roosevelt Sheffield - double bass
William Peeples - drums

The Genius After Hours is a 1961 album by Ray Charles. All of the songs were taken from the same three studio sessions that created the album The Great Ray Charles which featured the use of both a trio and a septet; the latter arranged by Quincy Jones. Also appearing on the album is David "Fathead" Newman on tenor and alto, as well as the trumpeter Joseph Bridgewater. It was reissued in 1985 by Atlantic Jazzlore.

Listado de Temas:

01 - The Genius After Hours - 05:23 min.
Composición de: Andy Razaf, Fats Waller, Harry Brooks

02 - Ain't Misbehavin' - 05:39 min.
Composición de: Ray Charles

03 - Dawn Ray - 05:01 min.
Composición de: Ray Charles

04 - Joy Ride - 04:35 min.
Composición de: Ray Charles

05 - Hornful Soul - 05:28 min.
Composición de: Ray Charles

06 - The Man I Love - 04:25 min.
Composición de: George & Ira Gershwin

07 - Charlesville - 04:54 min.
Composición de: Ray Charles

08 - Music, Music, Music - 02:54 min.
Composición de: Bernie Baum, Stephan Weiss



8 Temas. Tiempo Total: 00:38:19
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Créditos
Baritone Saxophone – Emmot Dennis (tracks: A2, B1)
Bass – Oscar Pettiford (tracks: A3, B2), Roosevelt Sheffield (tracks: A1, A2, A4, B1, B3)
Design – Loring Eutemey
Drums – Joe Harris (3) (tracks: A3, B2), William Peeples (tracks: A1, A2, A4, B1, B3)
Piano – Ray Charles
Tenor Saxophone – David "Fathead" Newman (tracks: A2, A4, B1)
Trumpet – Joseph Bridgewater* (tracks: A2, B1), John Hunt (tracks: A2, A4, B1)
Supervised By – Jerry Wexler, Nesuhi Ertegun
Written-By – Ray Charles (tracks: A1, A3, A4, B1, B3)

Liner Notes – Leonard Feather
Photography By – Jay Maisel

This 1961 LP showcases Ray Charles' skills as a jazz pianist in two settings: one with a trio and another with a septet led by Quincy Jones that features plenty of tenor sax solos from David "Fathead" Newman. Brother Ray was such a big star at this point that this soulful hard bop instrumental set did well on the pop charts.Nick Dedinahttps://us.napster.com/artist/ray-charles/album/the-genius-after-hours

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D.s.C. Cd 47 - De Singuels Colechion, Cd 47

D.s.C. Cd 47 - De Singuels Colechion, Cd 47

B. T. W. , D.s.C.

 - 1PocodMusica Recopileichon Of Vinyl Chingels -

Fortifaif Er. Pi. EM. (45 R.P.M.)

XpecialVinylRipp Lossless Ape

20 Temas - Tiempo Total: 01:09:50

479,04 MB de música de los Artistas

The Alvin Lee Band, Chicago, Hotlegs,

Los Angeles, Nilsson, Patty Bravo,

The Turtles, Los Elegantes,

All That Jazz B. S. O.  y Elton John

Ripeos de 

Chuan, Coscolin y LisaMurphy

De Singuels Colechion, Cd 47. Listado de Temas:

 01 - 480a I Don't Wanna Stop - The Alvin Lee Band - 29,18 MB. - 04:07 min. - 1981 - RipPor LisaMurphy

 02 - 480b City Lights - The Alvin Lee Band - 28,28 MB. - 04:03 min. - 1981 - RipPor LisaMurphy

 03 - 481a Realmente Alguien Sabe Qué Hora Es¿ - Chicago - 19,05 MB. - 03:09 min. - 1970 - RipPor Coscolin

 04 - 481b Escucha - Chicago - 21,13 MB. - 03:10 min. - 1970 - RipPor Coscolin

 05 - 482a Neanderthal Man - Hotlegs - 22,04 MB. - 03:36 min. - 1870 - RipPor Coscolin

 06 - 482b You Didn't Like It  Because You Didn't Think'of It - Hotlegs - 23,20 MB. - 04:16 min. - 1870 - RipPor Coscolin

 07 - 483a Créeme - Los Angeles - 16,54 MB. - 02:24 min. - 1968 - RipPor Coscolin

 08 - 483b Jenny - Los Angeles - 16,17 MB. - 02:07 min. - 1968 - RipPor Coscolin

 09 - 484a Si No Estas Tú - Nilsson - 18,28 MB. - 03:05 min. - 1970 - RipPor Coscolin

 10 - 484b Debo Despertar - Nilsson - 16,07 MB. - 02:15 min. - 1970 - RipPor Coscolin

 11 - 485a La Bambola - Patty Bravo - 19,21 MB. - 02:51 min. - 1972 - RipPor Coscolin

 12 - 485b Lettera A Gianni - Patty Bravo - 14,34 MB. - 01:56 min. - 1972 - RipPor Coscolin

 13 - 486a Eleonore - The Turtles - 16,13 MB. - 02:19 min. - 1968 - RipPor Coscolin

 14 - 486b Surfer Dan - The Turtles - 18,07 MB. - 02:27 min. - 1968 - RipPor Coscolin

 15 - 487a Chicas Y Dinero - Los Elegantes - 51,50 MB. - 06:56 min. - 1985 - RipPor Chuan

 16 - 487b Dispararé - Los Elegantes - 39,54 MB. - 05:31 min. - 1985 - RipPor Chuan

 17 - 488a Bye, Bye Love - All That Jazz B. S. O.  - 25,18 MB. - 03:36 min. - 1979 - RipPor LisaMurphy

 18 - 488b South Mt. Sinai Parade - All That Jazz B. S. O.  - 20,54 MB. - 03:10 min. - 1979 - RipPor LisaMurphy

 19 - 489a Little Jeanie - Elton John - 29,11 MB. - 04:10 min. - 1980 - RipPor LisaMurphy

 20 - 489b Conquer The Sun - Elton John - 35,48 MB. - 04:42 min. - 1980 - RipPor LisaMurphy

20 Temas - Tiempo Total: 01:09:50 - 479,04 MB

de música (en formato sin pérdida, "lossless")

totalmente inédita en la Red de Redes

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D.s.C.  De Singuels Colechion

Music for Pleasure

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Thelonious Monk Sonny Rollins 1954 Thelonious Monk and Sonny Rollins

Thelonious Monk

Thelonious Monk en el Minton's Playhouse de Nueva York, 1947

Dominio público, https://commons.wikimedia.org/w/index.php?curid=11121070

    Thelonious Sphere Monk (Rocky Mount, Carolina del Norte, 10 de octubre de 1917-Weehawken, Nueva Jersey, 17 de febrero de 1982) fue un pianista y compositor estadounidense de jazz. Su estilo interpretativo y compositivo, formado plenamente en 1947, apenas varió en los 25 años siguientes. Pianista fundador del bebop, tocó también bajo el influjo del hard bop y del jazz modal. Es conocido por su estilo único de improvisación, así como por haber compuesto varios estándares de jazz como "'Round Midnight", "Straight No Chaser", "52nd Street Theme" y "Blue Monk".

Sonny Rollins

Outdoor portrait of Sonny Rollins, american jazz saxo player,

taken on 2005-07-22 during the Jazz à Juan Festival

(French Riviera),before his performance.

De Yves Moch - Trabajo propio, CC BY-SA 3.0,

https://commons.wikimedia.org/w/index.php?curid=3652208

    Sonny Rollins (Nueva York, 7 de septiembre de 1930) es un músico estadounidense de jazz, saxofonista tenor y compositor. Junto con Coleman Hawkins, Lester Young, Ben Webster, Dexter Gordon y John Coltrane, está considerado uno de los grandes saxofonistas tenores de la historia del jazz. Sus estilos son el bop y el hard bop, aunque se ha aproximado en varias ocasiones al free jazz en la estela de las innovaciones de Ornette Coleman, contando en ocasiones con la colaboración del cornetista de este, Don Cherry. En su estilo siempre se ha notado la presencia de Coleman Hawkins, por su sonido denso y voluminoso, y de Charlie Parker, por la libertad de improvisación. Por lo demás, es frecuente su recurso al folclore (el Caribe, los calipsos...), su exposición reiterada de temas, su prolongación de las introducciones, su tendencia a la cita musical (himnos, canciones infantiles...), etc. Cuatro de sus composiciones, "St. Thomas", "Oleo", "Doxy", y "Airegin" están considerados estándares de jazz.1

Thelonious Monk and Sonny Rollins

1954

Three of the recordings on this 12" LP originally appeared in 1954 on three 10" LPs:

1. Thelonious Monk Quintet Blows For LP (Prestige PRLP 166),
2. Thelonious Monk Plays (Prestige PRLP 189)
3. Sonny Rollins and Thelonious Monk Quartet (Prestige PRLP 190)

Recorded By – Doug Hawkins (tracks: B2), Van Gelder (tracks: A1 to B1)

Remastered By – Van Gelder (tracks: B2)

Supervised By [Supervision] – Bob Weinstock (tracks: A1 to B1), Ira Gitler (tracks: B2)

Personnel

Thelonious Monk – piano trio on "Work" and "Nutty"

Sonny Rollins – tenor saxophone on "The Way You Look Tonight," "I Want to Be Happy," and "Friday the 13th"

Julius Watkins – french horn on "Friday the 13th"

Percy Heath – bass on "Work," "Nutty," and "Friday the 13th"

Tommy Potter – bass on "The Way You Look Tonight" and "I Want to Be Happy

Art Taylor – drums on "The Way You Look Tonight" and "I Want to Be Happy"

Art Blakey – drums on "Work" and "Nutty"

Willie Jones – drums on "Friday the 13th"

Listado de Temas: 

Cara A

 01 - The Way You Look Tonight - 05:16  min.

Artista: - Sonny Rollins Quartet Feat. Thelonious Monk

Autor: Dorothy Fields, Jerome Kern

Comentario: Recorded in Hackensack, NJ;

October 25, 1954

 02 - I Want to Be Happy - 07:45  min.

Artista: - Sonny Rollins Quartet Feat. Thelonious Monk

Autor: Irving Caesar, Vincent Youmans

Comentario: Recorded in Hackensack, NJ;

October 25, 1954

 03 - Work - 05:19  min.

Artista: Thelonious Monk Trio

Autor: Thelonious Monk

Comentario: Recorded in Hackensack, NJ;

September 22, 1954

Cara B

 04 - Nutty - 05:18  min.

Artista: Thelonious Monk Trio

Autor: Thelonious Monk

Comentario: Recorded in Hackensack, NJ;

September 22, 1954

 05 - Friday the 13th - 10:34  min.

Artista: Thelonious Monk Quintet

Autor: Thelonious Monk

Comentario: Recorded at WOR Studios, New York City;

November 13, 1953

Thelonious Monk & Sonny Rollins ¬ Editado en 1954

5 Temas. Tiempo Total: 00:34:12

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Reseñas:

https://en.wikipedia.org/wiki/Thelonious_Monk_and_Sonny_Rollins

Thelonious Monk y Sonny Rollins es un álbum del pianista de jazz y compositor Thelonious Monk y el saxofonista Sonny Rollins, lanzado en 1954 con el sello Prestige, catálogo 7075.

El álbum se extrae como resultado de tres sesiones de grabación en un período de casi doce meses y con diferentes formaciones. Aunque Rollins está acreditado como co-líder en la portada del álbum, solo aparece en tres de las cinco pistas. Fue el último lanzamiento de Monk en Prestige antes de mudarse a Riverside Records.

La canción "Friday the 13th" se grabó en noviembre de 1953 con quinteto: Monk, Rollins, Julius Watkins, Percy Heath y Willie Jones; las grabaciones de septiembre de 1954 son de trío: Monk, Heath y Art Blakey; y la sesión de octubre de 1954, Monk y Rollins nuevamente con el bajista Tommy Potter y el baterista Art Taylor. Al respecto de los tres temas originales de Monk, "Friday the 13th" se escribió en el estudio durante la sesión de grabación y se lanzó como una jam de diez minutos para completar el tiempo usual de un álbum de la época; "Nutty" sería un tema al que Monk volvería a una y otra vez a lo largo de su carrera, pero, sin embargo, aquí aparece la que fue su única grabación de la composición "Work".

Notas

A1 y A2 grabados en Hackensack, NJ;

25 de octubre de 1954

A3 y B1 grabados en Hackensack, NJ;

22 de septiembre de 1954

B2 Grabado en los estudios WOR, Ciudad de Nueva York;

13 de noviembre de 1953

AllMusic Review - Lindsay Planer

Este disco contiene un reparto de estrellas encabezado por Thelonious Monk (piano) y algunas colaboraciones de Sonny Rollins (saxo tenor) que van más allá de la simple inspiración y en un ámbito de telepatía musical. Las cinco melodías incluidas se derivan de tres sesiones separadas que se llevan a cabo entre noviembre de 1953 y septiembre del siguiente año. Como suele ser el caso, esto también significó tres grupos distintos de destacados músicos. Ya sea por diseño o por casualidad, las pistas recopiladas para este EP presentan a Monk en los confines y configuraciones favorables de combos más pequeños, que van desde la intimidad del trío Percy Heath (bajo) y Art Blakey (batería) en "Nutty", así como la pista "Work", igualmente grooving. Ambos utilizan el extraño y distintivo sentido de la melodía de Monk y son notorios para las increíbles contribuciones percusivas de Blakey, que, a veces, se convierten en un empuje entre el trabajo de acordes inconexos de Monk. Los ajustes  más grandes (de cuarteto y quinteto) son igualmente inventivos, conservando la atmósfera altamente creativa. Sin embargo, el innegable punto culminante es la interacción entre Monk y Rollins. Liderar el disco es una lectura definitiva y despreocupada del estándar pop "The Way You Look Tonight". Igual de brillante es "I Want to Be Happy", ambas destacadas por Art Taylor (batería) y Tommy Potter (bajo). Esta base rítmica proporcionan un marco flexible y sin trabas para que los solistas tejan sus contribuciones inimitables ya menudo contrastantes. La pista final es la bellamente disonante y extendida "Viernes 13", que es, irónicamente, la primera colaboración fortuita entre los dos co-líderes. Rollins es capaz de entrelazar un cable sinuoso a lo largo del contrapunto de acordes contrastantes de Monk. Los entusiastas que busquen pistas adicionales de estas y el resto de las sesiones de Monk durante su breve residencia en Prestige deberían considerar echar un vistazo al cuádruple CD recopilatorio "Complete Prestige Recordings".

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D.s.C. Cd 46 - De Singuels Colechion, Cd 46

D.s.C. Cd 46 - De Singuels Colechion, Cd 46

B. T. W. , D.s.C.

http://www2.museothyssen.org/microsites/exposiciones/2011/antoniolopez/img/86_0001r.jpg

 Portada Antonio López

http://www2.museothyssen.org/microsites/exposiciones/2011/antoniolopez/img/86_0001r.jpg

- 1PocodMusica Recopileichon Of Vinyl Chingels - 

Fortifaif Er. Pi. EM. (45 R.P.M.)

XpecialVinylRipp Lossless Ape

18 Temas Tiempo Total: 01:11:06,

475,97 MB de música De los Artistas:

Ian Dury, The Alvin Lee Band, Queen,

Status Quo, Albert King, John Lennon,

John Mayall, Rainbow y Santana

Ripeos de

Coscolin, LisaNapi#10

De Singuels Colechion, Cd 46. Listado de Temas:

 01 - 472a Spasticus Autisticus - Ian Dury - 23,83 MB. - 04:00 min. - 1981 - RipPor Coscolin

 02 - 472b Spasticus Autisticus, Version - Ian Dury - 22,33 MB. - 04:02 min. - 1981 - RipPor Coscolin

 03 - 480a I Don't Wanna Stop - The Alvin Lee Band - 29,06 MB. - 04:07 min. - 1981 - RipPor  LisaNapi#10

 04 - 480b City Lights - The Alvin Lee Band - 28,15 MB. - 04:03 min. - 1981 - RipPor  LisaNapi#10

 05 - 473a Another One Bites The Dust - Queen - 18,67 MB. - 03:23 min. - 1980 - RipPor Coscolin

 06 - 473b Dragon Attack - Queen - 28,59 MB. - 04:05 min. - 1980 - RipPor Coscolin

 07 - 474a What Your´re Proposing - Status Quo - 29,05 MB. - 04:02 min. - 1980 - RipPor Coscolin

 08 - 474b A B Blues - Status Quo - 24,87 MB. - 04:11 min. - 1980 - RipPor Coscolin

 09 - 475a Ain't Nothing You Can Do - Albert King - 23,56 MB. - 03:14 min. - 1976 - RipPor  LisaNapi#10

 10 - 475b I Don't Care What My Baby Do - Albert King - 22,75 MB. - 03:02 min. - 1976 - RipPor  LisaNapi#10

 11 - 476a Mind Games - John Lennon - 28,77 MB. - 04:03 min. - 1973 - RipPor  LisaNapi#10

 12 - 476b Meat City - John Lennon - 20,41 MB. - 02:46 min. - 1973 - RipPor  LisaNapi#10

 13 - 477a 2.401 - John Mayall - 26,72 MB. - 03:44 min. - 1969 - RipPor  LisaNapi#10

 14 - 477b The Bear - John Mayall - 31,11 MB. - 04:35 min. - 1969 - RipPor  LisaNapi#10

 15 - 478a Man On The Silver Mountain - Rainbow - 27,92 MB. - 03:51 min. - 1975 - RipPor  LisaNapi#10

 16 - 478b Snake Charmer - Rainbow - 32,69 MB. - 04:27 min. - 1975 - RipPor  LisaNapi#10

 17 - 479a Samba Pa Ti - Santana - 27,77 MB. - 04:37 min. - 1974 - RipPor  LisaNapi#10

 18 - 479b Incident At Neshabur - Santana - 29,71 MB. - 04:54 min. - 1974 - RipPor LisaNapi#10

18 Temas - Tiempo Total: 01:11:06 - 475,97 MB

de música (en formato sin pérdida, "lossless")

totalmente inédita en la Red de Redes

¿hay quien dé más?

D.s.C.  De Singuels Colechion

Music for Pleasure

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Diana Ross and The Supremes and The Temptaions - 1968 - Join The Temptations

Diana Ross and The Supremes and The Temptaions - 1968 - Join The Temptations

(The Motown Collection) 

Todas las pistas del álbum son versiones de canciones de otros artistas. Tanto "I Second That Emotion" como "I'll Try Something New" fueron grabados originalmente por Smokey Robinson & the Miracles, mientras que "I'm Gonna Make You Love Me" fue un lanzamiento de Dee Dee Warwick y Madeline Bell antes de que se convirtiera en un éxito para las Supremes y Temptations. Marvin Gaye de Motown ya había tenido éxitos con "Try It Baby" y, como dúo con Tammi Terrell, "Ain't No Mountain High Enough". "This Guy's in Love with You" fue un éxito tanto para Dionne Warwick como para Herb Alpert & Tijuana Brass, mientras que "Funky Broadway" había sido grabado con éxito por Dyke & the Blazers y Wilson Pickett. La canción con la firma de Sweet Inspirations, "Sweet Inspiration", también se trata aquí, al igual que "A Place in the Sun" de Stevie Wonder, "Then" de The Four Tops y la canción "The Impossible Dream" de "Man of La Mancha".

Frank Wilson hizo de productor ejecutivo del proyecto. Diana Ross y The Supremes se unen a The Temptaions y graban conjuntamente en el estudio principal de Hitsville USA, en Detroit, Michigan, en el estudio Golden World en Detroit y en los estudios satélite de Los Angeles. Fueron tomas principalmente de Diana Ross de las Supremes y Eddie Kendricks de The Temptaions, con algunas pistas adicionales de Dennis Edwards, Paul Williams, Otis Williams (en "this Guy's In Love With You") y Melvin Franklin.



Listado de pistas

Diana Ross comparte voces principales en cada canción con una o más de las de The Temptaions, identificadas por los superíndices: (a) Eddie Kendricks, (b) Dennis Edwards, (c) Paul Williams, (d) Melvin Franklin,  (e) Otis Williams.

Cara Uno

"Try It Baby" (Berry Gordy) d, c – 3:42
"I Second That Emotion" (Smokey Robinson, Al Cleveland) a – 2:19
"Ain't No Mountain High Enough" (Nickolas Ashford, Valerie Simpson) b – 2:16
"I'm Gonna Make You Love Me" (Kenneth Gamble, Leon Huff, Jerry Ross) a, e – 3:06
"This Guy's in Love With You" (Burt Bacharach, Hal David) e – 3:48
"Funky Broadway" (Arlester Christian) b – 2:32

Cara Dos

"I'll Try Something New" (Robinson) a – 2:20
"A Place in the Sun" (Ron Miller, Bryan Wells) c – 3:29
"Sweet Inspiration" (Dan Penn, Spooner Oldham) a – 2:55
"Then" (Robinson, Ronald White, Warren Moore) c – 2:12
"The Impossible Dream" (Joe Darion, Mitch Leigh) c – 4:47

Outtakes conocidos

Las siguientes canciones se grabaron para este álbum, pero no todas se incluyeron en el listado final de canciones del disco.  Estas pistas se pueden encontrar en el conjunto de CD de Motown de 2004 que combina este LP y Together, que le siguió

1. Opening Medley (Holland–Dozier–Holland) (on the intro: a, b, c, d, e)
2. "When the Lovelight Starts Shining Through His Eyes"
3. "Come See About Me"
4. "Stop! In the Name of Love"
5. "Love Is Like an Itching in My Heart"
6. "You Keep Me Hangin' On"
7. "Got to Get You into My Life" (John Lennon, Paul McCartney) (*)
8. "You Can't Hurry Love"/"You Keep Me Hangin' On" (Holland–Dozier–Holland)
9. "You Gave Me Something (and Everything's Alright)" (William Garrett, Albert Hamilton, Ronnie Savoy, Norma Toney) c
10. "A House Is Not a Home" (Bacharach, David) a, c (*)
11. "If You Should Walk Away" (Frank Wilson, Gordy)
12. "Amen" (Jester Hairston) a, b, c (**) 

(*) La miembro de Supremes, Mary Wilson, comparte pista de grabación en estos temas,
(**) Mary Wilson y Cindy Birdsong también la comparten en este otro.

Formación:

Mary Wilson, Cindy Birdsong, Dennis Edwards, Eddie Kendricks, Paul Williams, Melvin Franklin, Otis Williams y The Temptaions voces y coros

La instrumentación de "Try It Baby", "This Guy in Love With You", "Funky Broadway", "I'll Try Something New" y "The Impossible Dream" es interpretada por músicos de sesión del área de Los Ángeles. En todas las demás pistas, la instrumentación la proporciona la banda de estudio de Motown, The Funk Brothers, con cuerda y viento de Detroit Symphony Orchestra.

Frank Wilson, productor (H. B. Barnum, arranglos) en "Try It Baby" y "The Impossible Dream"

Frank Wilson y Nickolas Ashford, productores (Paul Riser, arreglos) en "I'm Gonna Make You Love Me", "A Place in the Sun" y "Sweet Inspirations"

Frank Wilson y Deke Richards, productores, con Gene Page, arreglos, en "This Guy's in Love with You", "Funky Broadway" and "I'll Try Something New"

Smokey Robinson, Al Cleveland y Terry Johnson, productores (Paul Riser, arreglos) en "I Second That Emotion" y "Then"

Henry Cosby, productor (Paul Riser, arreglos) en "Ain't No Mountain High Enough".

Diana Ross and The Supremes

Final TV Appearance on The Ed Sullivan Show in 1970,

during "The Farewall Tour"

Listado de Temas:

01 - Try It baby - 03:43 min.

Composición de: Gordy

02 - I Second That Emotion - 02:20 min.

Composición de: Robinson

03 - Ain't No Mountain High Enough - 02:16 min.

Composición de: Ashford, Simpson

04 - I'm Gonna make You Lovce Me - 03:07 min.

Composición de: Gamble, Ross

05 - This Guy's In Love With You - 03:49 min.

Composición de: Bacharach, David

06 - Funky Broadway - 02:31 min.

Composición de: Christian

07 - I'll Try Something New - 02:20 min.

Composición de: Robinson

08 - A PLace In The Sun - 03:29 min.

Composición de: Miller, Wells

09 - Sweet Inspiration - 02:56 min.

Composición de: Penn, Oldham

10 - Then - 02:13 min.

Composición de: Robinson, Rogers, Moore

11 - The Impossible Dream - 04:47 min.

Composición de: Darjon, Leigh

11 Temas. Tiempo Total: 00:33:31

EAC-Flac  - 206,59 MB

RipPor: Napi#10

para

1PocodMusica.com

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El Cielo Y El Dedo

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Reseñas:

DiscoGS

Diana Ross And The Supremes & The Temptations
Diana Ross & The Supremes Join The Temptations

Sello: Motown ‎– MS-679 Formato: Vinyl, LP, Album 

País: US Fecha: 08 Nov 1968

Género: Soul Estilo: Soul

     Esta es la portada del álbum On Broadway (Original TV Sound Track) de los  artistas Diana Ross & the Supremes con The Temptations. Se cree que los derechos de autor de la portada pertenecen a la etiqueta, Motown / o al artista o artistas gráficos. La portada es del LP de 1969 de Diana Ross & the Supremes y The Temptations, G.I.T. en Broadway

By Source, Fair use,
https://en.wikipedia.org/w/index.php?curid=1549237

On Broadway (Original TV Sound Track)
Soundtrack album by Diana Ross & the Supremes and The Temptations
Released November 7, 1969
Recorded 1969

https://en.wikipedia.org/wiki/G.I.T._on_Broadway

Todas las pistas del álbum son versiones de canciones de otros artistas. Frank Wilson desempeñó labores de productor ejecutivo del proyecto. 

Diana Ross & the Supremes Join the Temptations, grabada en conjunto en el estudio principal de Hitsville USA en Detroit, Michigan, el estudio Golden World en Detroit y los estudios satélite en Los Ángeles, presenta principalmente a Diana Ross de The Supremes y Eddie Kendricks. de The Temptations, con pistas adicionales de los Temptations Dennis Edwards, Paul Williams, Otis Williams y Melvin Franklin.

Diana Ross comparte la voz principal en cada pista con uno o más de los Temptations, identificados por superíndices: (a) Eddie Kendricks, (b) Dennis Edwards, (c) Paul Williams, (d) Melvin Franklin  y  (e) Otis Williams.

G.I.T. on Broadway, también conocido como

Diana Ross and the Supremes and The Temptations on Broadway,
es el álbum de la banda sonora de Diana Ross & the Supremes y The Temptations,
fue grabado a mediados de 1969 y lanzado el 7 de noviembre de 1969 es un especial de televisión de 1969 producido por Motown Productions y George Schlatter-Ed Friendly Productions. Fue un especial del exitoso programa TCB. Al igual que TCB, el título del programa (G.I.T.) fue el acrónimo de "Gettin 'It Together" y presenta una revista musical protagonizada por los dos grupos más populares de Motown en ese momento, Diana Ross & The Supremes y The Temptations. El especial se grabó a mediados de 1969 y se emitió originalmente el 12 de noviembre de 1969 en NBC; contiene, principalmente, canciones de musicales de Broadway.

Un álbum de la banda sonora para el especial, titulado Diana Ross and the Supremes y The Temptations en Broadway, se publicó cinco días antes de que se emitiera el programa. Aunque no se lanzaron singles de este álbum en los EE. UU., "The Rhythm of Life" se convirtió en uno de los 10 mejores éxitos para el conjunto en Australia.
Dos meses después de su lanzamiento, Diana Ross dejaría The Supremes
para embarcarse en su carrera en solitario.

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National Head Band * 1971 * Albert 1

National Head Band * 1971 * Albert 1

Rock, Hard Rock, Progressive Rock, Classic Rock

Recorded At – Advision Studios

Remastered At – The Audio Archiving Company

Designed At – Hi-Hat

Edición remasterizada digitalmente en 2008 de este clásico perdido del Rock Progresivo.

Formada en 1969 de las cenizas de la banda de Liverpool The Business, la National Head Band (quienes publican este "Albert 1" en 1971) contó con un intérprete, Jan Schelhaas, que en el futuro estaría en los teclado de Thin Lizzy, Caravan y Camel; con el futuro baterista de Uriah Heep, Lee Kerslake; con el guitarrista Neil Ford y con el bajista David Paull (quien pronto se uniría a Jonesy). Producido por Eddie Offord, el ingeniero que había trabajado con Yes y E.L.P.. El álbum presenta un maravilloso material, como lo atestiguan los temas "Got No Time" y "Mister Jesus".

"Albert 1" es uno de los pocos álbumes prog que no ha recibido comunicado de aprobación oficial hasta ahora. Con notas de Jan Schelhaas, este único álbum de la Nacional Head Band, recibe el tratamiento que se merece con esta edición definitiva de Esoteric Recordings

http://boyzmakenoyze.blogspot.com.es/2013/02/national-head-band-albert-one-1971.html

The Nacional Head Band

Drums, Percussion, Synthesizer [Moog] and Vocals:

Lee Kerslake

Bass, Acoustic Guitar, Synthesizer [Moog] and Vocals:

Dave Paull

Electric Guitar, Acoustic Guitar, Guitar [Bottle-neck], Synthesizer [Moog] and Vocals:

Neil Ford

Piano, Organ, Harmonium, Synthesizer [Moog]:

Jan Schelhaas

Produced by Eddie Offord

Recorded at Advision Studios, May 1971

Digitally remastered edition 2008

Reissue Producer by Mark Powell

Remastered by Ben Wiseman

Written-By – National Head Band

Listado de Temas:

 01 - Got No Time - 05:01 min.

 02 - You - 03:59 min.

 03 - Too Much Country Water - 04:12 min.

 04 - Lead Me Back - 04:02 min.

 05 - Listen To The Music - 06:30 min.

 06 - Islington Farm - 03:12 min.

 07 - Try To Reach You - 04:21 min.

 08 - Brand New World - 06:25 min.

 09 - Mister Jesus - 08:10 min.

9 Temas - Tiempo Total: 00:45:52

flac @ 951 - 306.26 MB

Posted By: Andi_Deris

| Date: 19 Dec 2013 14:23:00 |

Many thanks to the original uploader: Vmsn

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Créditos

Design [Cover Design] – Ginny Gillam

Design [CD Package Design By] – Becky Stewart

Liner Notes – Jon Wright

Photography By – Vincent Clegg

Producer, Engineer – Eddie Offord

Remastered By – Ben Wiseman

Research [Expanded CD Reissue Researched By], Coordinator [Expanded CD Reissue Co-ordinated By], Compiled By [Expanded CD Reissue Compiled By] – Mark Powell

AMG Review, by Dave Thompson

http://www.allmusic.com/album/release/self-expanded-mr0001723628

By 1972, the magical aura that once surrounded Quintessence had long since dissipated, just as the band itself had shed much of the evocative panache that characterized their greatest moments. One more album on the unfamiliar pastures of RCA was not going to correct their decline, but Self emerged a delight regardless, chiefly courtesy of the live second side that caught the band in full flight at Exeter University. Despite being just two songs long ("Freedom" and "Water Goddess"), the performance rolls back the years so effectively that the faintly workaday weight of side one is barely even relevant to the album's glory. There, of course, the band's customary blending of Indian mantra and jazzy heartbeats is as eclectic as ever, and the only downside is that the group has not really moved on from its original vision. [Cherry Red released an expanded edition in 2008.]

http://www.leekerslake.com/albums/national-head-band/

National Head Band

The National Head Band evolved from a group called The Business a quartet featuring Neil Ford (guitar, vocals), Dave Paull (bass, keyboards, guitar, vocals), Jan Schelhaas (keyboards) and John Skorsky (drums). After signing a management deal and changing their name they got a deal with Warner Brothers who, for some unfathomable reason, insisted that the group should have two drummers. Enter Lee Kerslake (drums, keyboards, vocals), fresh from recording the first Toe Fat album. However, no sooner had the band entered the studios than drummer Skorsky decided to quit! The remaining quartet had quite divisive musical tastes: Schelhaas was a soul fan, Ford was a bluesman, Paull was ostensibly a folkie and Kerslake was more into rock. Given the task of melding all these influences into a coherent album was Eddie Offord who had just completed work on The Yes Album. Offord was more than up to the task in hand and the results he achieved are admirable as elements of all of the individual members musical interests can be heard on the album, which fits neatly in with other albums released in the early seventies that are recognised as classics of the blooming progressive scene. Label incompetency, a mistimed and misplaced tour of Top Rank venues, and a whole batch of faulty album pressings did the band no favours who, unheralded, split later the same year.

Opening number Got No Time starts off with a riff that is vaguely similar to Day Tripper by The Beatles but the piano adds a bit of rhythm and blues to the proceedings. A nice heavier ending courtesy of a couple of electric guitars gives way to their acoustic counterparts in You which displays the groups talent for harmonising. The mixture of the acoustic six strings with the bold keyboard and the soulful vocals provides an interesting blend. The excellent Too Much Country Water is up next and again the harmony vocals add a lot to the number. Schelhaas provides jaunty piano and different guitar solos emanate from each speaker, before things ramp up for the ending. Lead Me Back is certainly a Beatles influenced number with the Moog being tapped for a wide range of brass band sounds. However, the song doesn’t really evolve into anything that special and would have benefited from having an earlier fade out. Another Apple band, Badfinger, can be heard within the grooves of Listen To The Music and is almost up to the same standard as that masterful but ill-fated group.

Unusual for even progressive bands, the harmonium takes centre stage for Islington Farm, a more melancholy number. The guitar has a ton of echo applied to it which contrasts brightly with the layered vocals. Overall a strange little song that I’m not entirely convinced by but holds up well against other experimental numbers of the era. Paull’s folk leanings are more on display during Try To Reach You with Ford’s bottle neck guitar solo proves a standout moment. Leaving the country twang behind, Brand New World mixes bits of everything that has gone before. The abilities of Offord come to the fore as the blend of different voices, a fluid bass line, the organ, acoustic and electric guitars is absolutely perfect, a great song. The grand finale is provided by Mister Jesus which sets off at a blistering pace – like a distant cousin to Flight Of The Rat by Deep Purple. However, this only serves as an intro, for after two minutes the rock is replaced by the acoustic guitars, organ and harmony vocals. The ending of the song is quite masterful with initially a Beatles-type section and then a bit more up-tempo with wahwah guitar pulling things to a close.

Although not a long-lost classic album, the National Head Band showed more than enough promise that they could have achieved far greater things. Instead Kerslake went off to join Uriah Heep, Schelhaas had stints in both Camel and Caravan (whom he rejoined a couple of years ago for their excellent The Unauthorised Breakfast Item album) and Paull joined the also excellent Jonesy. No idea what Ford did after the group disbanded, although the sleeve notes to the album conclude with the fact that after 37 years with no contact Schelhaas and Ford are back in touch and have started writing together again. Will we see Albert 2 after all these years? Who can tell!

(Info from sleeve)

In many ways, Albert One has a familiar story: Label sign experimental band, band makes album, label doesn’t promote band, band make no money, band split.

The moniker turned out to be apt — for this is musically an intelligent, experimental expose of progressive influences and excesses, played by a bunch of talented, passionate guys who knew (more or less) what they were doing.

The band members had eclectic tastes and strong personalities. Schelhaas was a soul fan, whereas Ford’s background had largely been blues and Paull was ostensibly a folkie. Only Kerslake had had a crack at the post-Beatles rock that was now spreading like wildfire on the underground. Progressive rock heavyweight Eddie Offord, fresh from success with Yes’ The Yes Album became the album’s producer.

The resulting album is a piquant mix of blues, folk and progressive interlaced with a harder, rockier sensibility.

“Got No Time” begins the record, starting out as a rock standard, the track gave way at the bridge to an extended percussion solo from Kerslake. Picking up on the riff from the opener, “You” is more pastoral and showcases the band’s talent for harmonising. “Too Much Country Water” — often misleading attributed to Uriah Heep due to the Kerslake connection, is, by that virtue the band’s best known track. Heavy and rockin’, it has the band at their colourful best; ending with a great riff. “Lead Me Back” is perhaps the most Beatles-que number on the album, with a clear cue coming from Abbey Road. It features Paull’s best bass-playing and some magic moog work from Schelhaas.

The highlight of the whole record, “Listen to the Music” is another Beatles inspired ballad, mixing four-part hormonies, blended effortlessly with an intricate rock template that remains all their own.

With the Harmonium driving “For Islington Farm”; it becomes a lush, poetic number full of soaring harmonies and melancholy. A rhythmic, folk ballad follows in the shape of “Try to Reach You” which again features some blistering bass from Paull. “Brand New World” contains insightful lyrics and is another intelligent mix of styles, a big stab at rock.

A two-parter ends the album and brings together all the aforementioned skills with delicious aplomb. Beginning as an intense rock-out, with all and sundry playing hard, it gives way halfway to their most pastoral and wistful side.

Experimental, but tied both to an array of influences and the mood of the time, it stands as a snapshot of a music scene undergoing a huge shift and a talented band who deserved more recognition.

Jan Schelhaas would later join Caravan and Camel, Lee Kerslake would go on to Uriah Heep.

***

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D.s.C. Cd 45 - De Singuels Colechion, Cd 45

D.s.C. Cd 45 - De Singuels Colechion, Cd 45

B. T. W. , D.s.C.

- 1PocodMusica Recopileichon Of Vinyl Chingels - 

Fortifaif Er. Pi. EM. (45 R.P.M.)

XpecialVinylRipp Lossless Ape

19 Temas - Tiempo Total: 01:04:53

439,86 MB  de música de los Artistas:

Linda Hopkins, Nilsson, Paul Simon,

Sleepy La Beef, Spandau Ballet,

Thompson Twins, Tom Petty, Billy Joel,

Blondie y Don MClean

Ripeos de 

Coscolin, LisaMurphy

De Singuels Colechion, Cd 45. Listado de Temas:

 01 - 462a I'm A Happy Child - Linda Hopkins - 25,54 MB. - 03:51 min. - 1977 - RipPor Lisamurphy

 02 - 462b It's In Your Blood - Linda Hopkins - 22,03 MB. - 03:10 min. - 1977 - RipPor Lisamurphy

 03 - 463a Without You (En Español) - Nilsson - 19,94 MB. - 03:08 min. - 1972 - RipPor Lisamurphy

 04 - 463b Gotta Get Up - Nilsson - 17,57 MB. - 02:23 min. - 1972 - RipPor Lisamurphy

 05 - 464a The Sound Of Silence - Paul Simon - 28,15 MB. - 04:13 min. - 1974 - RipPor Lisamurphy

 06 - 464b Mother And Child Reunion - Paul Simon - 23,17 MB. - 03:16 min. - 1974 - RipPor Lisamurphy

 07 - 465a Good Rockin' Boogie - Sleepy La Beef - 18,74 MB. - 02:46 min. - 1978 - RipPor Lisamurphy

 08 - 465b Corine, Corine - Sleepy La Beef - 16,15 MB. - 02:16 min. - 1978 - RipPor Lisamurphy

 09 - 466a True - Spandau Ballet - 35,02 MB. - 05:25 min. - 1983 - RipPor Lisamurphy

 10 - 466b Lifeline - Spandau Ballet - 23,24 MB. - 03:35 min. - 1983 - RipPor Lisamurphy

 11 - 467a Love On Your Side - Thompson Twins - 26,67 MB. - 03:27 min. - 1983 - RipPor Lisamurphy

 12 - 467b Love On Your Back - Thompson Twins - 24,00 MB. - 04:02 min. - 1983 - RipPor Lisamurphy

 13 - 468a Refugee - Tom Petty - 24,04 MB. - 03:14 min. - 1980 - RipPor Lisamurphy

 14 - 468b Don't Do Me Like That - Tom Petty - 19,61 MB. - 02:40 min. - 1980 - RipPor Lisamurphy

 16 - 469b Close To The Borderline - Billy Joel - 22,19 MB. - 03:30 min. - 1980 - RipPor Coscolin

 17 - 470a The Tide Is High - Blondie - 24,51 MB. - 03:51 min. - 1980 - RipPor Coscolin

 18 - 470b Susie And Jeffrey - Blondie - 26,49 MB. - 03:52 min. - 1980 - RipPor Coscolin

 19 - 471a Castillos En El Aire - Don MClean - 24,50 MB. - 03:29 min. - 1981 - RipPor Coscolin

 20 - 471b Crazy Eyes - Don MClean - 18,31 MB. - 02:45 min. - 1981 - RipPor Coscolin

19 Temas - Tiempo Total: 01:04:53 - 439,86 MB

de música (en formato sin pérdida, "lossless")

totalmente inédita en la Red de Redes

¿hay quien dé más?

D.s.C.  De Singuels Colechion

Music for Pleasure

en

1PocodMusica

https://www.1PocodMusica.com

y

El Cielo y El Dedo

https://elcieloyeldedo.blogspot.com

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