Ray Brown, Benny Green, Christian McBride, John Clayton
Recorded in ScullersJazzClub, Boston,Massachusetts, October17-18, l996
Pues esto merece la pena ser compartido, Timm nos lo regala, aunque salga con mi firma.
Es una fortísima sesión de tres bajistas en toda regla, quinteto que es trío o cuarteto, según se tercie.
Mi admirado Ray Brown junto a dos fieras
Christian McBride y
Christian McBride y
John Clayton:
divirtiéndose con sus habilidades ¡los angelitos!.
Gregory Hutchinson y sus baquetas ponen contrapunto con brío
El repertorio no tiene desperdicio y, si hubiese que señalar algún tema,
sería Certerpiece, si no fuera porque todos me gustan.
sería Certerpiece, si no fuera porque todos me gustan.
Listado de Temas:
1 "SuperBass Theme" 0:50
Ray Brown
2 "Blue Monk" 7:52
Thelonious Monk
3 "Bye Bye Blackbird" 6:36
Mort Dixon, Ray Henderson
4 Lullaby Of Birdland" 2:59
George Shearing, George David Weiss
5 "Who Cares?" 4:31
(Feat. Benny Green, Gregory Hutchinson)
George Gershwin, Ira Gershwin
6 Mack The Knife" 6:05
Marc Blitzstein, Bertolt Brecht, Kurt Weill
7 "Centerpiece" 4:03
Harry Henderson, John Hendricks
8 "Sculler Blues" 10:16
(Feat. Benny Green, Gregory Hutchinson)
9 "Brown Funk" 9:26
(Feat. Gregory Hutchinson)
Christian McBride
10 "SuperBass Theme" 0:53
Ray Brown
10 Temas - Tiempo Total: 00:53:40
Flac
Flac
Microphones:Sennheiser MKH-20,MKH-40, MKH-50; B&K 4006; Audio-Tecnica AIM-35 On-Stage Microphone Preamplifiers: Millennia Media HV-3 & Benchmark 4*4+ MIA
Console Ramsa WR-S4412, custom engineered by John Windt
Digital Recording Processor: Telarc/UltraAnalog Tandem 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Microphone, lnterconnecring & speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500,M1.5, Series I&III Prolink and Music Interface Tecnologies Proline, and MH-750 CVT Snotqun Terminators Monitored through Krell "Studio" 20-bit DAC
Power Amplifier Bryston 4B NPB
Monitor Speakers: ATC-SCM20
Control Room and On-Stage Acoustic Treatment: RPG Diffusors and Abffusors
Digital Editinq: Sonic Solutions
20- to 16-bit Encoding: Apogee UV-1000 Super CD Encoder
John Clayton. Jr. appears courtesy of Qwest Records
Benny Green apps courtesy of Blue Note R's
Cristian McBride apps courtesy of Verve R's
AllMusic Review by Richard S. Ginell
https://www.allmusic.com/album/super-bass-mw0000594875
This live Boston summit meeting between Ray Brown, Christian McBride and John Clayton was the logical outcome of several joint appearances, as well as an extension of a one-off bass troika track that McBride included on his first solo album. The idea of a bass trio on records probably would have been unthinkable in the primitive days of recording when Brown was coming up, but Telarc's fabulously deep yet clear engineering makes it seem like a natural thing to do. Whether pizzicato or bowed, whether taking the melodic solo or plunking down the 4/4 bottom line, all three perform with amazing panache, taste, humor, lack of ego, and the sheer joy of talking to and against each other beneath the musical staff. But if one has to pick out a single star, the choice has to be McBride, whose unshakeable time, solid tone and amazing ability to play his cumbersome bull fiddle like a horn stands out in astonishing fashion on the right speaker. On two tracks, the fleet-fingered Benny Green and drummer Gregory Hutchinson join Brown to form a conventional trio that serves as an effective change of pace. It's a fun set without a doubt, but these guys are also clearly making coherent music, and that is what will hold our interest over the long haul.
Console Ramsa WR-S4412, custom engineered by John Windt
Digital Recording Processor: Telarc/UltraAnalog Tandem 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Microphone, lnterconnecring & speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500,M1.5, Series I&III Prolink and Music Interface Tecnologies Proline, and MH-750 CVT Snotqun Terminators Monitored through Krell "Studio" 20-bit DAC
Power Amplifier Bryston 4B NPB
Monitor Speakers: ATC-SCM20
Control Room and On-Stage Acoustic Treatment: RPG Diffusors and Abffusors
Digital Editinq: Sonic Solutions
20- to 16-bit Encoding: Apogee UV-1000 Super CD Encoder
John Clayton. Jr. appears courtesy of Qwest Records
Benny Green apps courtesy of Blue Note R's
Cristian McBride apps courtesy of Verve R's
AllMusic Review by Richard S. Ginell
https://www.allmusic.com/album/super-bass-mw0000594875
This live Boston summit meeting between Ray Brown, Christian McBride and John Clayton was the logical outcome of several joint appearances, as well as an extension of a one-off bass troika track that McBride included on his first solo album. The idea of a bass trio on records probably would have been unthinkable in the primitive days of recording when Brown was coming up, but Telarc's fabulously deep yet clear engineering makes it seem like a natural thing to do. Whether pizzicato or bowed, whether taking the melodic solo or plunking down the 4/4 bottom line, all three perform with amazing panache, taste, humor, lack of ego, and the sheer joy of talking to and against each other beneath the musical staff. But if one has to pick out a single star, the choice has to be McBride, whose unshakeable time, solid tone and amazing ability to play his cumbersome bull fiddle like a horn stands out in astonishing fashion on the right speaker. On two tracks, the fleet-fingered Benny Green and drummer Gregory Hutchinson join Brown to form a conventional trio that serves as an effective change of pace. It's a fun set without a doubt, but these guys are also clearly making coherent music, and that is what will hold our interest over the long haul.
RBwJC&CMcB96SB.0319.rar
https://1fichier.com/?uxmzpgqowlmfezfs1gaz
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